Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The first thing one notices about this disc is the attractive sound, rounded yet detailed; the second is that the...
Reviewed by Christopher Headington in issue: 6/1994
The arrival of a CD of music for the Russian push-button accordion by a woman composer in her mid-sixties might...
Reviewed in issue 6/1996
The raison d’être of this coupling is that all three composers were born in Geneva and participated (in Ernest Bloch’s...
Reviewed in issue 13/2002
“I was delighted to hear the Keller Quartet’s recordings... and discover the extent to which [the musicians] have entered into...
Reviewed in issue 2/1996
First‚ a simple test case: the Slavonic Dance No 15 in C‚ Op 72 No 7. Nikolaus Harnoncourt an the...
Reviewed in issue 7/2002
This is very good news. Melba’s recordings for American Victor came out in a complete edition on Romophone, also with...
Reviewed by John Steane in issue: 5/2003
There is less ambience in the Philips recording, less perspective in the orchestral sound-picture, less sense of the specific size...
Reviewed in issue 3/1987
The two Wieniawski violin concertos have been the province of Itzhak Perlman until now, but Gil Shaham, who has already...
Reviewed by Ivan March in issue: 12/1991
The sleeve describes this as the ''original version for two pianos'' of An American in Paris, and, as Gershwin always...
Reviewed in issue 10/1984
Apart from Debussy and Ravel, 20th-century French piano repertoire is not very familiar to most of us. Yet Dukas’s Piano...
Reviewed by Ivan March in issue: 7/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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