Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The economically minded will have already noticed that this set takes only two CDs to the three of its rivals....
Reviewed by Alan Blyth in issue: 3/1986
A new generation of viol players are recording the music of Sainte-Colombe and Marin Marais, inspired by the success of...
Reviewed in issue 2/1994
Mozart’s splendid flute music provides the strongest proof that his supposed dislike for the instrument was only to justify his...
Reviewed in issue 8/1996
Here are two Belgian composers in cello music on a Belgian label but with a Russian cellist and a Bulgarian...
Reviewed by Edward Greenfield in issue: 1/2012
These are very direct, very musical performances of Handel’s first half-dozen organ concertos. No period instruments, no gimmicks, but just...
Reviewed by Stanley Sadie in issue: 6/1998
Even had there been more new releases in Elliott Carter’s centenary year, this disc from the Johannes Martens Ensemble would...
Reviewed by Richard_Whitehouse in issue: 1/2009
Bernd Alois Zimmermann's Requiem for a young poet is a humbling polyphony of twentieth-century misdeeds – riveting, provocative, uncompromising and...
Reviewed in issue 12/1995
The Bergen Philharmonic play these highly colourful showpieces very well for Dmitri Kitaienko, and succeed in playing them as more...
Reviewed by John Warrack in issue: 11/1993
If you have come to the conclusion that Sawallisch and charisma don’t go together, these recordings should make you think...
Reviewed by Arnold Whittall in issue: 13/1997
Anadyomene (1968) suggests a Turner canvas recast in sound. It opens restlessly among undulating pastels (the strings tend to serve...
Reviewed in issue 5/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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