Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Hideyo Harada is a prize-winning pianist trained in Japan, Germany and Russia who offers a Schumann recital showing the composer...
Reviewed by Bryce Morrison in issue: 12/2010
It makes an apt, if rather ungenerous, coupling having the long-buried pieces by Ponchielli (Puccini’s teacher) and Catalani (his contemporary...
Reviewed by Edward Greenfield in issue: 9/1998
These sonatas date from 1816-17 and the choice of instruments is precisely appropriate: Midori Seiler plays a Viennese violin made...
Reviewed by DuncanDruce in issue: 10/2006
To begin a complete cycle with Mahler’s Alpha and Omega is presumably deliberate, a means of establishing symphonic continuities and...
Reviewed by David Gutman in issue: 7/2003
The appearance within less than six months of three recordings of the same works is already something of note: still...
Reviewed by Lionel Salter in issue: 13/1999
Maria Kliegel views the Concerto as a strong, dramatic work, and she has just the qualities – impressive, powerful tone...
Reviewed in issue 6/2001
Here is, in effect a complete Haydn concert—and a very enjoyable one on the whole. Concentus Musicus play as spiritedly...
Reviewed by Stephen Johnson in issue: 4/1990
With the exception of the ever-popular Islamey, Balakirev’s piano works are largely products of his later years, and collectively (Islamey...
Reviewed by Tim Parry in issue: 11/1996
The main purpose of this disc appears to be to place Takemitsu in his Japanese context. Two of the other...
Reviewed in issue 1/1998
Lohengrin is a drama of polarities, the good and the bad. So it is in this performance of the opera,...
Reviewed by John Steane in issue: 9/2010
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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