Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These are ‘premieres’ not only in the sense of ‘first recordings’ (the Ceremony of Carols, the pieces for two pianos...
Reviewed by Michael Oliver in issue: 11/1996
Now that Stokowski’s colourful Bach transcriptions have been widely appreciated on disc, it is time that Beecham’s delectable Handel confections...
Reviewed by Edward Greenfield in issue: 1/1997
Trevor Pinnock and Michael Chance have devised a programme of sacred music by Vivaldi which should touch, if not melt,...
Reviewed by Nicholas Anderson in issue: 8/1997
Old men who insist on climbing mountains are a phenomenon to be wondered at. The late I. A. Richards, godfather...
Reviewed by Richard Osborne in issue: 2/1987
It is five years since the Canadian violinist, Chantal Juillet, with this same conductor and orchestra, recorded the two Szymanowski...
Reviewed by Edward Greenfield in issue: 9/1998
It is a cliche to liken Villa-Lobos's denselytextured, exotically coloured scores to the lush masses of giant foliage and exuberant...
Reviewed by Lionel Salter in issue: 3/1992
I cannot summon much enthusiasm for this disc. Estes, as we know from his work in Wagner possesses a strong,...
Reviewed by Alan Blyth in issue: 12/1988
Critics and commentators alike have declared that the innocent ear would take the playing of this latest 14-year-old violinist for...
Reviewed by hfinch in issue: 4/1995
This is really a record for admirers of Liszt. Ce qu'on entend sur la montagne is virtually never given in...
Reviewed by John Warrack in issue: 11/1987
Transcription, in various guises, is central to the works on this disc – flute and oboe being substituted for two...
Reviewed by Richard_Whitehouse in issue: 11/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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