Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Joby Talbot was in the band that provided music for that divine comedy Father Ted. After such beatification by association,...
Reviewed by bwitherden in issue: 8/2006
Lopez-Cobos is a not inexperienced Brucknerian and on the evidence of this record the Cincinnati Symphony is not without competence,...
Reviewed by Richard Osborne in issue: 2/1990
There was a time when guitar programmes looked more like an hors-d’oeuvre trolley than a full meal; some still do...
Reviewed by John Duarte in issue: 11/1996
It's difficult to find adjectives other than the well worn 'craggy' and 'rough hewn' to describe the cut of Klemperer's...
Reviewed by John Steane in issue: 10/1992
While there are some genuinely 'historic' performances in this batch of Shostakovich symphonies, the documentation provided—a curious mix of Soviet-style...
Reviewed in issue 1/1994
‘Perhaps the greatest of all recordings of the work‚ spacious‚ involved‚ profoundly human’: so wrote Richard Osborne in 1994‚ referring...
Reviewed in issue 12/2001
The delightful, and touching, collaboration (if that is the word for it) of Gurney and Finzi is a prime attraction...
Reviewed in issue 6/1999
Auber has become one of the forgotten men of music. Textbooks credit him with being the initiator of the Grand...
Reviewed by Lionel Salter in issue: 9/1993
This was the last of Toscanini's opera recordings, made from two broadcasts in January 1954 in New York's Carnegie Hall....
Reviewed by Alan Blyth in issue: 7/1991
It was only recently, when I was listening to selected comparisons for a review of Stephen Kovacevich’s fine new account...
Reviewed in issue 2/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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