Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Sigismondo d’India rarely gets the airing he deserves these days, but to confront his work with a response from a...
Reviewed by Fabrice Fitch in issue: 9/2009
Time was when the majority of records of late medieval and renaissance music were made up of social music and...
Reviewed by Iain Fenlon in issue: 4/1988
Dufay’s songs are not well served on CD. They make episodic appearances here and there in song anthologies, but ever...
Reviewed in issue 9/1996
This panoramic traversal of Parisian organ music provides an excellent introduction to the improviser’s art, a tradition captured from the...
Reviewed by Malcolm Riley in issue: 3/2010
The confusions and contradictions seemingly inseparable from anything to do with Villa-Lobos are fully maintained here. From a composer who...
Reviewed by Lionel Salter in issue: 6/1987
The beginning of K590’s second movement lacks any marks of articulation, but in the fifth bar Mozart adds staccato dashes....
Reviewed by DuncanDruce in issue: 13/2004
This reissue is a reminder of a prodigiously gifted pianist who died tragically at the age of 42. His recording...
Reviewed by Bryce Morrison in issue: 11/2009
This attractive release is one of three solo discs promoted recently by Chandos under the umbrella 'emerging talent' (the other...
Reviewed by Lindsay Kemp in issue: 2/1994
Listening to these two works by Aulis Sallinen is a bit like looking at two different photographs of the composer:...
Reviewed in issue 12/1995
First, let me dispel any fears that Nikolaus Harnoncourt’s Brahms is quirky, provocative or abrasive. Yes, there are interpretative novelties...
Reviewed in issue 11/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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