Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It is odd, or maybe perverse, that record companies with discs of mixed repertory like this so often present the...
Reviewed in issue 6/2001
In his review in March 1984 of Leo Nucci's previous solo recording for Decca, a recital of Verdi arias, AB...
Reviewed in issue 12/1988
The reappearance of Michelangeli's classic account of the Fourth Rachmaninov Concerto and the continuing presence of Richter in the Second...
Reviewed in issue 9/1988
This opera has had a strange history. Neglected for some 70 years, it was awoken from its long sleep by...
Reviewed by Alan Blyth in issue: 9/1990
We are still waiting for an ideal Bluebeard's Castle to appear on CD, but this one has fewer drawbacks than...
Reviewed by Michael Oliver in issue: 1/1989
This is the perfect combination: Harold Darke's music played on the very organ at which he presided for half a...
Reviewed by Marc Rochester in issue: 1/1995
I wrote of the Lonskov/Llambias Visions de l'Amen (Kontrapunkt/Harmonia Mundi) that it was ''very much better than a stopgap''. But...
Reviewed in issue 12/1990
What a delightful recital this is. Charming music played with precision, sensitivity and a touch of aplomb, showing off a...
Reviewed by Marc Rochester in issue: 1/2012
As Vol. 21 of their Complete Mozart Edition Philips describe the contents of this two-disc set as ''Organ Sonatas and...
Reviewed by Marc Rochester in issue: 12/1991
As a rule when I listen to new Bartók quartet CDs I pass on the option of following the music...
Reviewed by Rob Cowan in issue: 7/2007
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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