Szymanowski Harnasie; Love Songs of Hafiz; Songs of a Fairytale Princess

Back to Brum...and the exotic, shimmering world of Szymanowski

Record and Artist Details

Composer or Director: Karol Szymanowski

Label: EMI Classics

Media Format: CD or Download

Media Runtime: 65

Mastering:

Stereo
DDD

Catalogue Number: 364435-2

Tracks:

Composition Artist Credit
Songs of a fairy-tale princess Karol Szymanowski, Composer
City of Birmingham Symphony Orchestra
Iwona Sobotka, Soprano
Karol Szymanowski, Composer
Simon Rattle, Conductor
Harnasie Karol Szymanowski, Composer
City of Birmingham Symphony Orchestra
City of Birmingham Symphony Orchestra Chorus
Karol Szymanowski, Composer
Simon Rattle, Conductor
Timothy Robinson, Tenor
(8) Love-Songs of Hafiz Karol Szymanowski, Composer
City of Birmingham Symphony Orchestra
Karol Szymanowski, Composer
Katarina Karnéus, Mezzo soprano
Simon Rattle, Conductor
Here’s another sumptuous instalment of Sir Simon Rattle’s Szymanowski cycle, showing that his rapport with his former Birmingham colleagues is as productive as ever. The main item is Harnasie, a “ballet-pantomime” which loses nothing in concert performance, at least when that performance is as exciting as this one. It occupied the composer on and off for eight years (1923-31), bridging the gap between the exotic late-romanticism that reached its apogee in the opera King Roger and his final pair of concertos. Harnasie has long been acclaimed for demonstrating Szymanowski’s ability to move with the times but its use of folk music doesn’t mean that it challenges mid-1920s Bartók or Janácek in progressiveness. This tale of romance and mayhem in bandit country is kitschy in the extreme. Yet even when the music evokes Borodin more vividly than Stravinsky it is utterly irresistible.

Timothy Robinson makes a strong contribution to Harnasie but it’s the solo singing of Katarina Karnéus and Iwona Sobotka in the two song sets that confirms the disc’s special appeal. In the Eight Love Songs of Hafiz Syzmanowski conjures up a sound world of almost Bergian concentration and opulence, with the richly eloquent final lament the crown in this superbly refined account. The Songs of a Fairy-tale Princess is a slighter piece and Iwona Sobotka is not ideally flexible in its taxingly florid lines. But Rattle ensures, as he does throughout, that the mesmerising allure and elaborate textural fantasy of the music are always tinglingly immediate. With a recording that projects the often dense orchestral fabric without undue constraint or loss of clarity, this disc is undoubtedly a winner.

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