Anthony Goldstone and Caroline Clemmow are sensibly presenting their survey of Schubert piano duets in seven varied recitals, each with a Schumann Polonaise as an encore. This volume shows their keen instinct for crisp articulation and rhythmic life, especially in the Polonaises and B flat Variations. Unfortunately, the F minor Fantasie elicits a less imaginative or poetic response, and the piano is not always perfectly in tune.'