Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is an unusual and wholly absorbing recital by a soprano often, mistakenly, considered no more than a singer with...
Reviewed by Alan Blyth in issue: 1/2003
The Mater Patris Mass is one of the very strangest works from the years around 1500. Based on a (pretty...
Reviewed by David Fallows in issue: 7/1994
Poulenc is reported as saying that if he were still remembered in 50 years' time he hoped it would be...
Reviewed by Lionel Salter in issue: 12/1989
The guitar now flourishes in eastern Europe and, as this recording makes clear, it has been doing so for longer...
Reviewed by John Duarte in issue: 10/1987
These DVDs testify that Monteverdi’s three surviving operas possess abundant dramatic richness. L’Orfeo, staged by Jacky Lautem and Jean-Claude Malgoire,...
Reviewed by David Vickers in issue: 11/2005
This disc positively sparkles! With such intelligent and innovative programming, it is the ideal introduction to Hindemith’s organ music. Since...
Reviewed by Malcolm Riley in issue: 10/2009
Fortunately, melody is now coming back into fashion, so this collection of the light-hearted music of the Cumbrian composer Matthew...
Reviewed by Ivan March in issue: 3/2003
On the surface it would seem that Die Kluge and Der Mond make ideal bed-fellows—both are allegorical fairy-tale operas using...
Reviewed by Michael Stewart in issue: 3/1991
After years of total neglect, we have within months three CD versions of the Symphony No. 2. Like the new...
Reviewed by Edward Greenfield in issue: 7/1990
Bejun Mehta’s debut solo disc is more adventurous than hackneyed Handel recital programmes often are. Some of the selections were...
Reviewed by David Vickers in issue: 2/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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