Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Sinopoli’s live Dresden performance of the Ninth Symphony is long-drawn, intent, severely controlled. That was my first, not entirely favourable,...
Reviewed by Richard Osborne in issue: 6/1999
The idea of alternating trio sonatas with cantatas is a happy one, based perhaps on the idea that people play...
Reviewed by Stanley Sadie in issue: 13/1998
That Padre Soler wrote these six concertos for Carlos III's son, the Infante Don Gabriel de Borbon, to play with...
Reviewed by Lionel Salter in issue: 7/1992
Angela Hewitt has picked two of Schumann’s more recalcitrant offspring for her latest recital. While both are suffused with glorious...
Reviewed by Harriet Smith in issue: 12/2007
Like the other CDI/Pickwick CDs I have enjoyed this month (see pages 79 and 131), this concert is impeccably recorded....
Reviewed by Ivan March in issue: 6/1990
Musical Opinion, reviewing the newly published Op. 52 in 1931, concluded that, ''very accomplished musician'' as he undoubtedly was, Medtner...
Reviewed in issue 12/1995
Dowland's three Bookes of Songes (1597, 1600, 1603) and A Pilgrimes Solace (1612) form an unexcelled repository of English lute-song,...
Reviewed by John Duarte in issue: 11/1988
A triangular flash in the top lefthand corner of the cover of this CD carries the somewhat brazen statement ‘Rossini’s...
Reviewed in issue 10/2002
Robert Jones's Fourth Booke of Ayres of 1609 is headed ''A Musicall Dreame'', and this is the title for the...
Reviewed by Tess Knighton in issue: 12/1990
This recording makes an unusual migration from EMI's Eminence label to the slightly cheaper CfP series. Litton includes the linking...
Reviewed in issue 9/1992
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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