Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The Cleveland-based Baroque orchestra Apollo’s Fire has been making CDs for over 10 years now but is currently enjoying a...
Reviewed by Lindsay Kemp in issue: 1/2011
Steven Isserlis’s discs for RCA covering virtually all the music Saint-Saëns wrote for cello remain benchmarks but, shrewdly, talented young...
Reviewed by Edward Greenfield in issue: 8/2006
Good to have Dohnányi delivered in bright, local packaging, though the more luxuriant BBC Philharmonic under Matthias Bamert offer viable...
Reviewed by Rob Cowan in issue: 4/2006
No one would describe the mid seventeenth century as a Golden Age for English music. Political turmoil, natural disasters and...
Reviewed in issue 5/1990
The great virtue of this third volume in Fergus-Thompson's Debussy series is that it is exclusively devoted to the composer's...
Reviewed by Joan Chissell in issue: 9/1990
In the first three, from his Op. 37, of these later symphonies – they date from 1786-7 – Boccherini’s language...
Reviewed by Stanley Sadie in issue: 4/1997
Stephen Marchionda is an Italian-American guitarist living in Barcelona. Like Domenico Scarlatti before him, he is a foreigner living in...
Reviewed by William Yeoman in issue: 4/2010
It is true no doubt that Beethoven had a rumbustious, heavy-handed, unpredictable side to his nature, but they are qualities...
Reviewed by Richard Osborne in issue: 3/1996
This unusual programme is imaginative and satisfying. Bernstein fans will want it for Halil, currently absent from the catalogue, and...
Reviewed by Christopher Headington in issue: 12/1994
Few of Daniel Barenboim’s infrequent past recorded encounters with Chopin hint at the depth, maturity, insight and tonal luster that...
Reviewed by Jed Distler in issue: 8/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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