Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Angela Hewitt in Bach is bringing Hyperion a distinguished series. If you enjoy Bach on the piano, and may merciful...
Reviewed by Stephen Plaistow in issue: 3/2001
Skrowaczewski's dull and sluggish performances of Brahms's Second Symphony and the Tragic Overture gave me little pleasure when I reviewed...
Reviewed in issue 3/1988
Goose-pimples throughout: magical opera: adorable performance. If that is too telegraphic an account, it still says what matters most. The...
Reviewed in issue 4/1992
Not just a commemoration of a live event, but a vivid demonstration of collective virtuosity. Gerard Grisey’s Talea has an...
Reviewed by kYlzrO1BaC7A in issue: 10/1998
Don't judge a book by its cover, or indeed this disc by the familiar look of most of its programme....
Reviewed by John Duarte in issue: 7/1991
Those wanting a new digital recording of Tchaikovsky's B flat minor Piano Concerto could well be satisfied with this, but...
Reviewed by Ivan March in issue: 6/1986
There is a natural inclination to suppose that the last of a composer’s operas may represent the summation of his...
Reviewed by Stanley Sadie in issue: 11/2003
Jean Martinon (1910-76), heir apparent to Charles Munch, was not only a successful conductor (except in his native France, other...
Reviewed by Ivan Moody in issue: 12/2003
Now here’s a treasure trove for those with a sweet tooth. Godowsky’s infamous reworkings of Chopin’s Etudes are, of course,...
Reviewed by Tim Parry in issue: 3/2001
Given his mastery of large-scale form in symphonies and quartets, plus his prowess as a pianist, you might expect Shostakovich's...
Reviewed in issue 10/1989
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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