Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The 19th century saw some famous collaborations between composer and violinist, and this programme neatly brings together two of them....
Reviewed by DuncanDruce in issue: 10/2010
It may be paradoxical, but it’s a good general rule that, the less theatrical an opera, the more a recording...
Reviewed by Arnold Whittall in issue: 1/2001
Three substantial symphonies, sturdily performed and lucidly recorded, for under a fiver almost disarms criticism. At the rate they're going...
Reviewed by Richard Wigmore in issue: 9/1991
As is his wont‚ Harnoncourt goes his own way. This is not an Aida to satisfy those used to conventional...
Reviewed by Alan Blyth in issue: 11/2001
A record produced by an enthusiast is always welcome; and Gordon Reynolds has devised a particularly varied programme which makes...
Reviewed in issue 5/1986
Following his wonderful recording of Bach's most intimate organ pieces (the six Sonatas, BWV525–30 on CDA66390, 11/90), Christopher Herrick has...
Reviewed by Marc Rochester in issue: 4/1991
Of the three last Tchaikovsky symphonies Klemperer was, perhaps surprisingly, most at home in the Fifth and least convincing in...
Reviewed by Ivan March in issue: 5/1985
With this film, made in 2003 when the guitarist was 70 and had recently retired from the concert platform, Bream...
Reviewed by William Yeoman in issue: 1/2007
Sooner or later there must be a new recording of Doktor Faust: it is an opera great enough to need...
Reviewed by Michael Oliver in issue: 8/1989
Michel Piquemal sings in and directs this uneven Poulencian melange, full of spirit and ferocious tempos (Le bal masque clocks...
Reviewed in issue 9/1998
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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