Wagner Siegfried

The Hamburg Ring marches on to Siegfried, with impressive results

Record and Artist Details

Composer or Director: Richard Wagner

Genre:

Opera

Label: Oehms

Media Format: CD or Download

Media Runtime: 0

Mastering:

Stereo
DDD

Catalogue Number: OC927

Tracks:

Composition Artist Credit
(Der) Ring des Nibelungen: Part 3, 'Siegfried' Richard Wagner, Composer
Catherine Foster, Brünnhilde, Soprano
Christian Franz, Siegfried, Tenor
Deborah Humble, Erda, Contralto (Female alto)
Diogenes Randes, Fafner, Bass
Falk Struckmann, Wanderer, Baritone
Ha Young Lee, Woodbird, Soprano
Hamburg Philharmonic Orchestra
Peter Galliard, Mime, Tenor
Richard Wagner, Composer
Simone Young, Conductor
Wolfgang Koch, Alberich, Baritone
Comfortably recorded with a natural pit/stage balance – as were its predecessors in Hamburg’s unfolding live Ring (8/09, 3/10) – Young’s new Siegfried favours chamber-like clarity and colour over brute strength and decibels. Her pointing of Hauptstimmen, fresh phrasing of familiar motifs and pacing of the narrative are sharp and convincing. Preludes and interludes, often painted by the conductor with an ear sensitive to their radical textures, show her instrumentalists to be imaginative soloists. Orchestrally, this is a richly evoked musical journey from the fairy-tale forest of Siegfried’s youth to his more epic meetings with gods and women, free of pantomimic exaggeration.

As in Hamburg’s Das Rheingold, both Mime and Alberich have a tendency to cross from singing to shouting to gain extra impact at climaxes. It is always dramatically motivated – and was doubtless wholly a piece with Claus Guth’s staging – but makes for stressful repeated listening on disc. Christian Franz’s Siegfried is also prone to some shouting and crooning. But he is attentive to opportunities for quiet singing and textual colour, and paces himself to sound convincingly ardent opposite his Brünnhilde in Act 3. That Brünnhilde, the English soprano Catherine Foster, is, in her second recording of the role, a spirited, imaginative interpreter, challenged but never overcome by the high tessitura. Deborah Humble is a serious, involved Erda. Finally there is Falk Struckmann’s Wanderer, who makes perhaps the most complete use of his conductor’s dynamic range to deliver a sung-through (as opposed to declaimed) Wotan of Lieder-like detail and care, his finest performance of the role yet recorded.

Oehms’s new set stands up well alongside modern recordings, better cast overall than either the Thielemann Bayreuth CD set (Opus Arte, 1/10) or the Fura dels Baus Valencia DVD (C major, 6/10). The recent Michael Schønwandt DVD (Decca, 4/09) and the vintage Clemens Krauss (Orfeo), Joseph Keilberth (Testament, 3/06), Rudolf Kempe (Testament, 8/08) and Furtwängler (EMI, 2/91) sets are compellingly cast and conducted.

Discover the world's largest classical music catalogue with Presto Music. 

Stream on Presto Music | Buy from Presto Music

Gramophone Print

  • Print Edition

From £6.67 / month

Subscribe

Gramophone Digital Club

  • Digital Edition
  • Digital Archive
  • Reviews Database
  • Full website access

From £8.75 / month

Subscribe

                              

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.