Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
It’s Colin Davis’s rotten bad luck that his versions of Carl Nielsen’s Second and Third symphonies should appear only a...
Reviewed by Philip_Clark in issue: 05/2013
Mozart’s reality isn’t necessarily ours. Scores he adapted for strings only, or strings one-to-a-part, probably augmented his cause and discouraged...
Reviewed by Nalen Anthoni in issue: 05/2013
In the concert hall, the still small voice of the fortepiano demands radical aural adjustment. On CD, microphone placing and...
Reviewed by Richard Wigmore in issue: 05/2013
Mendelssohn’s Hymn of Praise, his penultimate symphony, was preceded by the Italian (No 4) and succeeded by the Scottish (No...
Reviewed by Rob Cowan in issue: 05/2013
This double album is billed as Gustavo Dudamel’s first CD with the Los Angeles Philharmonic. He has been conducting a...
Reviewed by David Gutman in issue: 05/2013
The games composers play: inviting us to join the fun and think about them is a strong suit for Sir...
Reviewed by Peter Quantrill in issue: 05/2013
Lutosławski’s First Symphony (1941 47) may be stylistically impure, with, for instance, some barely assimilated Roussel in the opening Allegro...
Reviewed by Guy Rickards in issue: 05/2013
The new music scene in Poland has diversified apace these past two decades, with the jazz scene in particular taking...
Reviewed by Richard_Whitehouse in issue: 05/2013
Haydn’s Symphony No 42 is a remarkable work. Dating from 1771, at the height of the composer’s infatuation with Sturm...
Reviewed by David Threasher in issue: 05/2013
Michelangeli remains an ultimate musical enigma. One minute stiff and unyielding – a veritable Prussian officer of the keyboard (much...
Reviewed by Bryce Morrison in issue: 05/2013
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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