Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This likeable documentary was first broadcast in the UK last November, following the centenary of Solti’s birth. The feature shows...
Reviewed by David Gutman in issue: 05/2013
Connoisseurs of the trumpet repertoire, please take note. You may already have more versions than you want of the ubiquitous...
Reviewed by David Fanning in issue: 05/2013
Let’s face it, traditional forms – with the notable exception of the string quartet – did not bring out the...
Reviewed by Guy Rickards in issue: 05/2013
This is a particularly happy contribution to the Verdi bicentenary. The orchestra has been breastfed on the music and the...
Reviewed by Jeremy Nicholas in issue: 05/2013
I rather expected that comparisons between these two versions of Vaughan Williams’s Fifth Symphony would throw up some significant contrasts...
Reviewed by Rob Cowan in issue: 05/2013
This Telemann disc – the first from admired Polish outfit Arte dei Suonatori – brings together two familiar strands from...
Reviewed by Lindsay Kemp in issue: 05/2013
Mere contemplation of a new CD of Suppé overtures is enough to set the spirits racing. What other composer created...
Reviewed by Andrew Lamb in issue: 05/2013
Oddly enough, just before this disc dropped through the door I was listening to Pierre Fournier’s 1960s recording of Don...
Reviewed by Geoffrey Norris in issue: 05/2013
No one in his lifetime doubted Anton Rubinstein’s brilliance as a pianist, though he always thought of himself as first...
Reviewed by John Warrack in issue: 05/2013
Disc 1 in Francesco La Vecchia’s second volume of Respighi’s complete orchestral output for Brilliant Classics houses three works from...
Reviewed by Andrew Achenbach in issue: 05/2013
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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