Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The centrepiece on this new release is the latest, the Concert Piece for oboe doubling cor anglais, two harps and...
Reviewed by Guy Rickards in issue: 05/2013
Chloë Hanslip continues here her admirable record in exploring little-known corners of the violin’s repertory. Othmar Schoeck’s Concerto of 1911...
Reviewed by DuncanDruce in issue: 05/2013
As the D minor Symphony creeps into life and whispers its hints of those melodic fragments that are to blossom...
Reviewed by Geoffrey Norris in issue: 05/2013
The march of technology is not always beneficial to art. This is one of those discs that a few years...
Reviewed by Harriet Smith in issue: 05/2013
When Chandos boxed up Yan Pascal Tortelier’s Dutilleux recordings with the BBC Philharmonic in 2002 there was little extant vocal...
Reviewed by David Gutman in issue: 05/2013
‘Johann Jeremias du Grain ranks among the most important 18th-century composers of Gdan´sk,’ begins the booklet-note to this release. ‘He...
Reviewed by Lindsay Kemp in issue: 05/2013
The first recording of Corigliano’s Clarinet Concerto (1977) with Stanley Drucker and the New York Philharmonic came out on New...
Reviewed by Peter Dickinson in issue: 05/2013
Back in the late 1980s, Steven Isserlis set down memorably eloquent versions of Bridge’s Oration and Bloch’s Schelomo with Richard...
Reviewed by Andrew Achenbach in issue: 05/2013
Of the seven spectacular overtures in this collection, three are exciting introductions for operas, one is actually part of an...
Reviewed by Ivan March in issue: 05/2013
An award-winning Romanian-born pianist, a promising Estonian conductor and a distinguished German ensemble come together to offer a coupling which...
Reviewed by David Gutman in issue: 05/2013
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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