Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The perennial trio of Bach’s only extant violin concertos is given about as authoritative and confident a set of readings...
Reviewed by Jonathan Freeman-Attwood in issue: 05/2013
Anna Gourari aims to cultivate a dark and mystical persona with her ECM debut, judging from the cover art, the...
Reviewed by Jed Distler in issue: 05/2013
Joseph Moog (who I last heard on disc in Rachmaninov and Anton Rubinstein) offers a selection from Scarlatti’s 555 keyboard...
Reviewed by Bryce Morrison in issue: 05/2013
‘…pour passer la mélancolie’ is harpsichordist Andreas Staier’s engaging survey of a complicated collection of affects and gestures that seem...
Reviewed by Philip Kennicott in issue: 05/2013
How to discuss playing of a unique calibre in a short review? So much of this five-disc tribute to Myra...
Reviewed by Bryce Morrison in issue: 05/2013
The talented titulaire of the Bridgewater Hall in Manchester is as much at home on the organ as he is...
Reviewed by Jeremy Nicholas in issue: 05/2013
This latest issue follows up Murray McLachlan’s recording of Ronald Stevenson’s most celebrated work, his monumental Passacaglia on DSCH, which...
Reviewed by Edward Greenfield in issue: 05/2013
‘Who will buy my sweet red roses, who will buy?’ OK, so we’re not talking floristry here but piano sonatas,...
Reviewed by Harriet Smith in issue: 05/2013
‘Never sing louder than lovely’ was Dame Isobel Baillie’s advice to singers. Someone must have said much the same thing...
Reviewed by Jeremy Nicholas in issue: 05/2013
Joachim Raff’s journey from humble beginnings to a sky-high reputation was followed by decline and fall. Today, most of his...
Reviewed by Bryce Morrison in issue: 03/2013
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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