Dances & Dreams
Kissin and Rattle headline New Year’s Eve at the Philharmonie
View record and artist detailsRecord and Artist Details
Composer or Director: Maurice Ravel, Richard Strauss, Edvard Grieg, Igor Stravinsky, Johannes Brahms, Antonín Dvořák
Genre:
Orchestral
Label: Euroarts
Magazine Review Date: 12/2012
Media Format: Digital Versatile Disc
Media Runtime: 86
Mastering:
DDD
Catalogue Number: 205 8728

Tracks:
Composition | Artist Credit |
---|---|
(21) Hungarian Dances, Movement: G minor (orch Brahms) |
Johannes Brahms, Composer
Berlin Philharmonic Orchestra Johannes Brahms, Composer Simon Rattle |
(16) Slavonic Dances, Movement: No. 1 in C |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Berlin Philharmonic Orchestra Simon Rattle, Conductor |
(16) Slavonic Dances, Movement: No. 7 in C |
Antonín Dvořák, Composer
Antonín Dvořák, Composer Berlin Philharmonic Orchestra Simon Rattle, Conductor |
Concerto for Piano and Orchestra |
Edvard Grieg, Composer
Berlin Philharmonic Orchestra Edvard Grieg, Composer Evgeny Kissin, Piano Simon Rattle, Conductor |
Symphonic Dances, Movement: Allegretto grazioso |
Edvard Grieg, Composer
Berlin Philharmonic Orchestra Edvard Grieg, Composer Simon Rattle, Conductor |
Alborada del gracioso |
Maurice Ravel, Composer
Berlin Philharmonic Orchestra Maurice Ravel, Composer Simon Rattle, Conductor |
Salome, Movement: Dance of the Seven Veils |
Richard Strauss, Composer
Berlin Philharmonic Orchestra Richard Strauss, Composer Simon Rattle, Conductor |
(The) Firebird |
Igor Stravinsky, Composer
Berlin Philharmonic Orchestra Igor Stravinsky, Composer Simon Rattle, Conductor |
Author: Jeremy Nicholas
Does it merit its preservation on DVD and you shelling out your shekels? The answer is yes – just about. Two of Dvořák’s Slavonic Dances, which bookend the gala, the Brahms Hungarian Dance and Stravinsky’s ‘Infernal Dance’ are played with irresistible panache. Alborado del gracioso, that showcase of orchestral colour and virtuosity, is lovingly detailed, perhaps a shade too laid-back (certainly compared with Reiner’s thrilling but hard-driven 1957 account).
Then there’s Grieg. The playing of the Berliner’s first oboe in the Symphonic Dance is a thing of delicious beauty. He distinguishes himself again in the Concerto, as does the star soloist, the great Evgeny Kissin, now looking less robotic than of yore but still with that awkward platform manner and other-worldly demeanour. This is among the most thoughtful and poetic accounts of the Concerto that I’ve heard. There’s nothing superficial or preconceived, so that what can often emerge as glib and routine is given, especially in the first subject of the finale, an almost Brahmsian weight and intensity. The first-movement cadenza is particularly impressive, with Kissin beginning niente and working himself up into a fine passion. It is this performance which gives the DVD its raison d’être, one which in half a century will be viewed with the same kind of interest as film of Moiseiwitsch, Cortot et al is viewed today.
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