Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Most claims of ‘first recording’ status don’t stand up to scrutiny, so it’s wise of Hyperion and Coro not to...
Reviewed by Fabrice Fitch in issue: 05/2013
Instrumental music is John McCabe’s usual stamping ground but over the years he has produced a fair crop of choral...
Reviewed by Marc Rochester in issue: 05/2013
In a just world, credit owed where credit’s due, you’d be filing this disc under ‘Sebastian Gottschick/Charles Ives – A...
Reviewed by Philip_Clark in issue: 05/2013
Probably best known in Britain for his 15 year tenure as principal guest conductor of the BBC Singers and for...
Reviewed by Malcolm Riley in issue: 05/2013
This is, incredibly, the sixth commercial recording of Vivaldi’s Dixit Dominus, RV807, in less than a decade since the Dresden...
Reviewed by David Vickers in issue: 05/2013
Considering The Passion of Ramakrishna is concerned with Indian mysticism – in particular the life, death and transfiguration of Sri...
Reviewed by Philip_Clark in issue: 05/2013
Though best known as a composer for the harpsichord, François Couperin also composed motets, a Magnificat and at least three...
Reviewed by Julie Anne Sadie in issue: 05/2013
This two-CD set of Britten from the Choir of New College, Oxford, collects together ‘all the music…which might reasonably be...
Reviewed by Richard Fairman in issue: 05/2013
After the profoundly impressive recent liturgico-contextual vision for the St John Passion from the Dunedin Consort and John Butt, two...
Reviewed by Jonathan Freeman-Attwood in issue: 05/2013
Daniel Hope’s recording of Max Richter’s The Four Seasons rehash did not fare too well in the pages of this...
Reviewed by DuncanDruce in issue: 05/2013
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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