Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Oliver Webber deserves a knighthood for services to period violin performance. He is a fount of historical knowledge and an...
Reviewed by Mark Seow in issue: 10/2021
The chamber combination of oboe and string quartet would seem to lend itself ideally to the pastoral image of British...
Reviewed by Jeremy Dibble in issue: 10/2021
In addition to his many film scores, Nino Rota also composed numerous concert and stage works as well as working...
Reviewed by Christian Hoskins in issue: 10/2021
That Myaskovsky mavens have been denied an incontrovertibly top-notch coupling of these pieces arguably no longer matters. We have many...
Reviewed by David Gutman in issue: 10/2021
Although only one of the four sonatas for violin and continuo by Jean-Baptiste Senaillé offered here is claimed as a...
Reviewed by Lindsay Kemp in issue: 10/2021
Even in his twenties – his acclaimed Symphony No 1 already introduced to the world by the Berlin Philharmonic –...
Reviewed by Andrew Mellor in issue: 10/2021
Back in August 2019, when nobody thought twice about filling an intimate performance space to capacity, I attended a very...
Reviewed by Charlotte Gardner in issue: 10/2021
Who would have thought, back in the 1990s, that we would one day have competing recordings of Bruch’s string quintets...
Reviewed by Richard Bratby in issue: 10/2021
This disc’s title led me to expect cello and-piano arrangements of the Liebeslieder Waltzes, and my heart leapt at the...
Reviewed by Andrew Farach-Colton in issue: 10/2021
The Scottish-Estonian duo of Michael Foyle and Maksim Štšura swiftly follow up their first volume of Beethoven’s violin sonatas (4/21)...
Reviewed by David Threasher in issue: 10/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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