Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Gerhard Hamm (1835-1904) was born in Trier, where he received his earliest musical training at the Cathedral. He was organist...
Reviewed by Patrick Rucker in issue: 10/2021
They may have come about through informal circumstances, but Michael Finnissy’s two sets of Gershwin arrangements are among his most...
Reviewed by Richard Whitehouse in issue: 10/2021
Javier Perianes is an artist of richly lyrical gifts, which have stood him in good stead in repertoire such as...
Reviewed by Harriet Smith in issue: 10/2021
Though Peter Donohoe surely needs no introduction to readers of these pages, it may come as a surprise that this...
Reviewed by Patrick Rucker in issue: 10/2021
If you like your Bach bold and sturdy then the two opening tracks of this new album from the heart...
Reviewed by Malcolm Riley in issue: 10/2021
The word ‘natural’ is such a cliché, yet it constantly comes to mind over the course of Alexandra Papastefanou’s Goldberg...
Reviewed by Jed Distler in issue: 10/2021
The booklet note expends ink on the historical justifications for playing Bach’s Cello Suites on the viola da gamba, but...
Reviewed by Lindsay Kemp in issue: 10/2021
As an ensemble on a mission, the Linos Piano Trio are not so much stealing the repertoire of others as...
Reviewed by Richard Whitehouse in issue: 10/2021
As concepts for string recitals go, scordatura – the abnormal tuning of a string instrument in order to obtain special...
Reviewed by Charlotte Gardner in issue: 10/2021
It was after hearing Saint-Saëns’s Septet, whose unusual casting includes a trumpet, that Debussy had the notion of writing a...
Reviewed by Mark Pullinger in issue: 10/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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