Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Among Frank Martin’s more recorded works, his Violin Concerto (1951) has seldom been revived in concert; a pity, given its...
Reviewed by Richard Whitehouse in issue: 10/2021
The symphonic suite has quite a pedigree, from those seeking to bask in the drama and hit tunes of favourite...
Reviewed by Edward Seckerson in issue: 10/2021
You can always count on the Château de Versailles team to come up with an eminently classy-feeling musical bundle and...
Reviewed by Charlotte Gardner in issue: 10/2021
Louise Farrenc’s three symphonies represent a double triumph: over sexual prejudice, in an age when female creative artists suffered from...
Reviewed by Richard Wigmore in issue: 10/2021
Talk about coincidental musical similarities. The opening of the overture to Dohnányi’s one-act opera buffa Tante Simona (1911 12) is...
Reviewed by Rob Cowan in issue: 10/2021
My immediate reaction to the opening track – the first of the Four Scherzos – was ‘fast, furious, fantastic fingers,...
Reviewed by Jeremy Nicholas in issue: 10/2021
This recording was made under studio conditions a month before Juanjo Mena and the BBC Philharmonic performed the symphony at...
Reviewed by Christian Hoskins in issue: 10/2021
Léon Boëllmann’s Suite gothique has long been a staple of the organ repertoire and a number of his chamber works...
Reviewed by Christian Hoskins in issue: 10/2021
Past a sonorous first chord, the rhetorically moulded opening to Egmont may take the unwary listener by surprise, but the...
Reviewed by Peter Quantrill in issue: 10/2021
Mark Andre (b1964) waited a long time before composing his first string quartet, iv 13 (Miniaturen). A clear reference is...
Reviewed by Liam Cagney in issue: 10/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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