Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Sacred music features prominently in Wolfgang Rihm’s massive output, though his outlook is hardly doctrinaire – whether in such imposing...
Reviewed by Richard Whitehouse in issue: 09/2021
It seems, at first, astonishing that this is La Compagnia del Madrigale’s first recording of Monteverdi madrigals. The award-winning Italian...
Reviewed by Alexandra Coghlan in issue: 09/2021
‘Gabriel Fauré, still relatively unfamiliar to the general public, deserves a glory similar to that enjoyed by the greatest French...
Reviewed by David Patrick Stearns in issue: 09/2021
Soprano Elizabeth Llewellyn’s debut recital album consolidates the favourable impression she made on Martyn Brabbins’s superb Hyperion recordings of Vaughan...
Reviewed by Andrew Achenbach in issue: 09/2021
Linguists, ethno-musicologists and anthropologists may well be automatically attracted to this Erik Chisholm album of Scottish song and verse, dating...
Reviewed by David Patrick Stearns in issue: 09/2021
The Sicilian Alessandro Scarlatti and the Venetian Antonio Caldara probably crossed paths several times in Rome, for example during Lent...
Reviewed by David Vickers in issue: 09/2021
The album cover shows Sean Shibe shorn of his luxuriant locks; photos inside catch him in the act itself, wielding...
Reviewed by William Yeoman in issue: 09/2021
Francisco Fullana is hardly the first young violinist to choose Bach for a debut solo album. But not everyone does...
Reviewed by Charlotte Gardner in issue: 09/2021
The third volume of Barry Douglas’s ‘Tchaikovsky Plus One’ series matches its predecessors (12/18, 12/19) for inspired programming and noble...
Reviewed by Jed Distler in issue: 09/2021
Nyman and Mozart go back a long way. In the booklet notes to Sebastian Knauer’s ‘The Mozart/Nyman Concert’, Nyman recalls...
Reviewed by Pwyll ap Siôn in issue: 09/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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