Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This has to be the CD equivalent of hygge. Russian-born American pianist Kirill Gerstein’s Mozart dialogue with his octogenarian mentor...
Reviewed by Michelle Assay in issue: 09/2021
‘If I pass him by, who will praise Moritz Moszkowski?’ asked JB Priestley in Delight, his life-affirming collection of essays...
Reviewed by Jeremy Nicholas in issue: 09/2021
Today, when Schubert’s canonic status in Western music has been long established, it is easily forgotten that his true measure...
Reviewed by Patrick Rucker in issue: 09/2021
It is not always a good sign that, when listening to a new recording of familiar music for review purposes,...
Reviewed by Jeremy Nicholas in issue: 09/2021
In the booklet Elena Fischer-Dieskau’s biography coyly says she was ‘born into a family of musicians’, which hardly sums up...
Reviewed by Harriet Smith in issue: 09/2021
Garrick Ohlsson’s previous Hyperion Brahms disc (1/19) provoked much the same reaction in me as it did for Harriet Smith...
Reviewed by David Fanning in issue: 09/2021
Perhaps the biggest challenge of the Hammerklavier is the sheer multiplicity of its challenges: stamina and agility, both physical and...
Reviewed by David Fanning in issue: 09/2021
Performer, teacher and promoter – Laurence Perkins was ideally placed to have created this anthology with ‘the bassoon leading a...
Reviewed by Richard Whitehouse in issue: 09/2021
Hideko Udagawa’s second contribution to Northern Flowers’ ‘St Petersburg Musical Archive’ series is a similar compilation of shorter collections and...
Reviewed by Guy Rickards in issue: 09/2021
Finzi dedicated the 1938 Prelude and Fugue for string trio to his counterpoint teacher RO Morris (1886-1948), the last of...
Reviewed by Andrew Achenbach in issue: 09/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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