Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
With these two discs The Brahms Trio conclude a journey of discovery that I have found both edifying and exhilarating....
Reviewed by Marina Frolova-Walker in issue: 09/2021
This is the debut recording of the C/O Chamber Orchestra, an ensemble of 30 players from across Europe based in...
Reviewed by Christian Hoskins in issue: 09/2021
The more I hear Saint-Saëns’s youthful symphonies, the more impressive they seem. If the various influences he absorbed are readily...
Reviewed by Andrew Farach-Colton in issue: 09/2021
This Naxos release draws on a number of sources to present a complete cycle of the seven symphonies by the...
Reviewed by Christian Hoskins in issue: 09/2021
Following explorations of Beethoven and his contemporaries and duo piano music by Debussy (with Alexander Melnikov – Harmonia Mundi, 8/18),...
Reviewed by David Threasher in issue: 09/2021
His music may not sound like Brahms, but the American jazz pianist Brad Mehldau has more in common with the...
Reviewed by Pwyll ap Siôn in issue: 09/2021
Is the Eighth such a problem piece as all that? Do its Latin and German, sacred and secular halves really...
Reviewed by Peter Quantrill in issue: 09/2021
Shortly after Haydn’s appointment as Esterházy vice-Kapellmeister, the Vivaldi-loving Prince Paul Anton suggested (ordered?) a series of four ‘quartets’ depicting...
Reviewed by Richard Wigmore in issue: 09/2021
Handel organ concertos may not be what you associate with the gilded fittings of the Vienna Musikverein, though apparently performances...
Reviewed by Lindsay Kemp in issue: 09/2021
Nico Muhly and Philip Glass go back a long way. There’s a scene in Scott Hicks’s 2007 documentary on Philip...
Reviewed by Pwyll ap Siôn in issue: 09/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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