Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This album is, quite simply put, a real surprise. Not just for the fine playing of Inna Faliks or her...
Reviewed by Guy Rickards in issue: 08/2021
Mezzo-soprano Oksana Volkova’s recital of a dozen famous dramatic arias and one bloody obscurity gives full range to the Belarusian’s...
Reviewed by Laurence Vittes in issue: 08/2021
A few years into the new century, Paul Lansky declared himself done with the brave new world of computer music...
Reviewed by Thomas May in issue: 08/2021
A sense of memory and resonance infuses this survey of Cristopher Cerrone’s recent sound work, much of it pulsing, static...
Reviewed by Laurence Vittes in issue: 08/2021
‘An over the hill rebel of the 68er movement, who wants to live a life of carefree fun, but is...
Reviewed by Tim Ashley in issue: 08/2021
I would never pass up the chance to see a Dmitri Tcherniakov production. Highly controversial he may be, but his...
Reviewed by Marina Frolova-Walker in issue: 08/2021
With staged opera thin on the ground over the past year due to schedules wiped out by the pandemic, companies...
Reviewed by Mark Pullinger in issue: 08/2021
Stanisław Moniuszko’s Halka has slowly been making inroads into the Western European consciousness, and well it might. Moniuszko (1819-72) was...
Reviewed by Ivan Moody in issue: 08/2021
Pier Luigi Pizzi’s lavish production of Rinaldo was first staged at Reggio Emilia in 1985 and then put on at...
Reviewed by David Vickers in issue: 08/2021
It takes a certain amount of audacity to show the French how to stage Carmen, but that’s exactly what Adrian...
Reviewed by Mark Pullinger in issue: 08/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.