Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
You might want to buy this CD for the cover alone. It’s a close-up detail of John Singer Sargent’s wonderful...
Reviewed by Jeremy Nicholas in issue: 08/2021
It is worth quoting the conductor-pianist’s thoughts on the genesis of this recording dedicated to his late teacher Anisia Campos...
Reviewed by Jeremy Nicholas in issue: 08/2021
Roman Rabinovich follows up his earlier volume of Haydn’s piano sonatas (2/19) with this second instalment, once again responding with...
Reviewed by David Threasher in issue: 08/2021
This was my introduction to Viviana Lasaracina, another outstanding talent from the studio of Benedetto Lupo. Quite frankly, at first...
Reviewed by Patrick Rucker in issue: 08/2021
The close academic and latterly informal relationship between Gustav Holst and Cecil Coles underpins this release of their piano music,...
Reviewed by Richard Whitehouse in issue: 08/2021
In a cogent and provocative essay introducing his recording of works by William Byrd and John Bull, pianist Kit Armstrong...
Reviewed by Philip Kennicott in issue: 08/2021
A word of warning: don’t start with the booklet. ‘The tessellated masonry [of the Kunstkraftwerk in Leipzig] allows music to...
Reviewed by Harriet Smith in issue: 08/2021
To mark Beethoven’s 2020 anniversary year, Boris Giltburg set himself the task of filming all 32 Beethoven piano sonatas in...
Reviewed by Jed Distler in issue: 08/2021
For his recording of Bach’s Partitas, Mahan Esfahani uses a harpsichord built by the workshop of Jukka Ollikka in Prague,...
Reviewed by Jed Distler in issue: 08/2021
Revisiting my notes on this first recording by the American violinist Randall Goosby, I find that the word I’ve scribbled...
Reviewed by Richard Bratby in issue: 08/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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