Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Despite a bewilderingly facile interview between the trumpeter and pianist which is, in effect, the complete booklet (one page is...
Reviewed by Jonathan Freeman-Attwood in issue: 08/2021
There are some artists who have the unteachable gift of turning the simplest, most ordinary and even third-rate music into...
Reviewed by Jeremy Nicholas in issue: 08/2021
The year 2021 is a fine one for British musical centenarians, whether the composers Robert Simpson and Malcolm Arnold or...
Reviewed by Guy Rickards in issue: 08/2021
Despite its title, Toby Hughes’s debut album is not so much a disc of elegies as an examination of the...
Reviewed by Tim Ashley in issue: 08/2021
Although hardly remembered for chamber music, Wolf-Ferrari essayed more than a dozen works in the genre at either end of...
Reviewed by Richard Whitehouse in issue: 08/2021
It is good to see that Stanford’s Piano Quintet, a work that stands up more than respectably against other Romantic...
Reviewed by Jeremy Dibble in issue: 08/2021
This album featuring Roxanna Panufnik’s chamber works will come as a surprise to listeners more familiar with the theme of...
Reviewed by Richard Whitehouse in issue: 08/2021
Oboists have much for which to be thankful to Mozart. Not only are there a charming concerto and a true...
Reviewed by David Threasher in issue: 08/2021
Hard on the heels of Les Vents Français’ sparkling selection of five wind sonatas by Hindemith (those for flute, oboe,...
Reviewed by Guy Rickards in issue: 08/2021
Taken on its own terms, this is an extremely good programme: three significant sonatas, all of them born in 1942...
Reviewed by Rob Cowan in issue: 08/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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