Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The 1805 (and even 1806) early versions of Beethoven’s only opera, Fidelio, were celebrated more on radio than in fully...
Reviewed by Mike Ashman in issue: 08/2021
Time was, the best-kept secret in Danish music was Nielsen’s songs, beloved of the Danes yet unknown outside Scandinavia. Dacapo...
Reviewed by Guy Rickards in issue: 08/2021
‘Merrily, merrily, let’s go, you and I.’ Claude Le Jeune’s Allons, allons gay gayment, from his second book of Melanges,...
Reviewed by William Yeoman in issue: 08/2021
The name Kassianí (c810-c865) has long been familiar to adherents of the Greek Orthodox faith as the author of an...
Reviewed by Thomas May in issue: 08/2021
The cover photo of grown men in a children’s playground gives one pause: is this what I will look like...
Reviewed by David Patrick Stearns in issue: 08/2021
In a short note in the booklet of his new album, tenor Ilker Arcayürek explains that he wanted to avoid...
Reviewed by Hugo Shirley in issue: 08/2021
That Johann Rosenmüller (1619-84) is still something of a rarity in modern performance is particularly surprising considering the quality of...
Reviewed by Edward Breen in issue: 08/2021
Mozart once wrote to his father that an aria should ‘fit a singer like a perfectly tailored suit of clothes’....
Reviewed by Richard Wigmore in issue: 08/2021
This recording might change how you hear and think about Renaissance polyphony. As pioneered by the likes of Andrew Parrott,...
Reviewed by Fabrice Fitch in issue: 08/2021
The focus on Josquin’s death-anniversary risks overlooking Philippe de Monte, 2021’s other quincentenarian. In past reviews I’ve tended to hedge...
Reviewed by Fabrice Fitch in issue: 08/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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