Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Oehms two-disc set from the pianist Pascal Rogé, who turned 70 this spring, combines the Ravel G major and...
Reviewed by Patrick Rucker in issue: 09/2021
What a difference a decade makes. Over recent years I’ve become so used to Nicola Benedetti’s concerto releases covering repertoire...
Reviewed by Charlotte Gardner in issue: 09/2021
We’ll get to the cello concerto later because the main event here is Water Atlas, the final part of Sebastian...
Reviewed by Andrew Mellor in issue: 09/2021
One of the recent developments in the history of the Carl Nielsen International Music Competition is that the winners of...
Reviewed by Mark Pullinger in issue: 09/2021
Earlier this year, Francisco Coll appeared as composer/conductor on an Alpha album featuring Patricia Kopatchinskaja, Sol Gabetta and the chamber...
Reviewed by Arnold Whittall in issue: 09/2021
Emmanuel Despax offers a heartfelt tribute to his recording team and fellow musicians in this new recording of Brahms’s First...
Reviewed by Harriet Smith in issue: 09/2021
First let me pose a question regarding the function of oddball concerto cadenzas, when and where to use them. Outstretching,...
Reviewed by Rob Cowan in issue: 09/2021
A monodrama, a ballet and a mini-opera. Three faces of Samuel Barber ‘in camera’. One might expect a unique offering...
Reviewed by Edward Seckerson in issue: 09/2021
This is sensational! In welcoming Korean violinist Sueye Park’s BIS album of the complete Paganini Caprices back in January 2018,...
Reviewed by Rob Cowan in issue: 09/2021
Heritage and training play significant roles in Kinga Augustyn’s remarkable recording of unaccompanied violin works by 20th- and 21st-century composers....
Reviewed by Donald Rosenberg in issue: 08/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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