Search the Reviews Database

Review of Igot Levit: On DSCH

Igot Levit: On DSCH

Here I am again – three Recordings of the Month in a mere six months – though it’s not because...

Reviewed by Harriet Smith in issue: 10/2021

Gramophone Classical Music Awards Winner
Review of Elisabeth Remy Johnson: Quest

Elisabeth Remy Johnson: Quest

Inspired by her quest to include more music by women in her performances, Elisabeth Remy Johnson’s recital serves as a...

Reviewed by Laurence Vittes in issue: 09/2021

Review of Last Song (Una Sveinbjarnardottir)

Last Song (Una Sveinbjarnardottir)

The ‘Last Song before the News’, reflected in composer-violinist Una Sveinbjarnardóttir’s eponymous final track, is an Icelandic tradition, the playing...

Reviewed by Guy Rickards in issue: 09/2021

Review of KYR 'In Praise of Music'

KYR 'In Praise of Music'

The Antioch Chamber Ensemble recorded these choral works by Robert Kyr in November 2018 but the texts – many by...

Reviewed by Donald Rosenberg in issue: 09/2021

Review of GOTTSCH Princess Yurievskaya (Alfonso)

GOTTSCH Princess Yurievskaya (Alfonso)

The urge to compose is irresistible for many who are destined to make their livings in other vocations; among the...

Reviewed by Donald Rosenberg in issue: 09/2021

Review of JS BACH 'Metamorphosis' Cello Suites Nos 1-3 (Zachary Carrettín)

JS BACH 'Metamorphosis' Cello Suites Nos 1-3 (Zachary Carrettín)

Having played Bach’s Solo Cello Suites on a cello da spalla, an electric Baroque violin with ‘unlimited reverb possibilities’ and...

Reviewed by Laurence Vittes in issue: 09/2021

Review of WAGNER Das Rheingold (Baleff)

WAGNER Das Rheingold (Baleff)

In the run-up to the Wagner bicentenary in 2013, Plamen Kartaloff, director of the Sofia Opera, began to nurture a...

Reviewed by Peter Quantrill in issue: 09/2021

Review of STRAUSS Elektra (Welser-Möst)

STRAUSS Elektra (Welser-Möst)

Marking the centenary of its founding by Strauss, Hofmannsthal and Max Reinhardt, last year’s Salzburg Festival went ahead with a...

Reviewed by Tim Ashley in issue: 09/2021

Review of RAMEAU Dardanus - Tragedie Lyrique (Vashegyi)

RAMEAU Dardanus - Tragedie Lyrique (Vashegyi)

Critics scorned the first production of Dardanus in 1739 as dramatically incoherent and reliant on absurd supernatural interventions. This probably...

Reviewed by David Vickers in issue: 09/2021

Review of MONTEVERDI L'Orfeo – a tale in music (Malmberg)

MONTEVERDI L'Orfeo – a tale in music (Malmberg)

On the day before the first performance of Monteverdi’s Orfeo on February 24, 1607, in the ducal palace in Mantua,...

Reviewed by Iain Fenlon in issue: 09/2021


 

Hi-Fi, Books, Reissues & Archive Reviews

Gramophone Guides




Beethoven


Early Music


Mozart


Elgar

Gramophone Print

  • Print Edition

From £6.67 / month

Subscribe

Gramophone Digital Club

  • Digital Edition
  • Digital Archive
  • Reviews Database
  • Full website access

From £8.75 / month

Subscribe

                              

If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.