Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
If not the highest-profile conductor of his generation, George Vass has an enviable record in commissioning and premiering music by...
Reviewed by Richard Whitehouse in issue: 10/2021
It would be all too easy, from a cursory glance at the bolded title alone, to assume that Emmanuel Pahud’s...
Reviewed by Charlotte Gardner in issue: 10/2021
Rick Stotijn has done sterling work persuading treble-clef dwellers that double bass albums can sing and dance, but there’s a...
Reviewed by Andrew Mellor in issue: 10/2021
BIS’s second album devoted to the music of Chinese composer Xiaogang Ye (b1955) includes two works from the early part...
Reviewed by Christian Hoskins in issue: 10/2021
Christian Li may not yet be a familiar name to Gramophone readers but 1.8 million YouTube viewers have watched his...
Reviewed by Mark Pullinger in issue: 10/2021
This is the fifth disc Naxos has released devoted wholly to ‘the Power of Tower’ – though Joan Tower’s music...
Reviewed by Guy Rickards in issue: 10/2021
One commodity that is never in short supply in René Jacobs and B’Rock’s Schubert symphony survey is excitement. Period strings...
Reviewed by David Threasher in issue: 10/2021
Max Richter’s recordings are often based on a central concept or idea – Vivaldi in The Four Seasons Recomposed (2/13),...
Reviewed by Pwyll ap Siôn in issue: 10/2021
A colleague of mine once described Walter Piston as the American Albert Roussel. The comparison befits Piston’s neoclassical orientation and...
Reviewed by Jed Distler in issue: 10/2021
The opening tutti of K216 sets the template: lucid textures underpinned by a light, athletic bass line, springy rhythms and...
Reviewed by Richard Wigmore in issue: 10/2021
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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