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Review of Presteigne Premieres: New Music for String Orchestra

Presteigne Premieres: New Music for String Orchestra

If not the highest-profile conductor of his generation, George Vass has an enviable record in commissioning and premiering music by...

Reviewed by Richard Whitehouse in issue: 10/2021

Review of Emmanuel Pahud: Mozart & Flute in Paris

Emmanuel Pahud: Mozart & Flute in Paris

It would be all too easy, from a cursory glance at the bolded title alone, to assume that Emmanuel Pahud’s...

Reviewed by Charlotte Gardner in issue: 10/2021

Review of Rick Stotijn: Back To StockHome

Rick Stotijn: Back To StockHome

Rick Stotijn has done sterling work persuading treble-clef dwellers that double bass albums can sing and dance, but there’s a...

Reviewed by Andrew Mellor in issue: 10/2021

Review of YE Winter

YE Winter

BIS’s second album devoted to the music of Chinese composer Xiaogang Ye (b1955) includes two works from the early part...

Reviewed by Christian Hoskins in issue: 10/2021

Review of VIVALDI The Four Seasons (Christian Li)

VIVALDI The Four Seasons (Christian Li)

Christian Li may not yet be a familiar name to Gramophone readers but 1.8 million YouTube viewers have watched his...

Reviewed by Mark Pullinger in issue: 10/2021

Review of TOWER Strike Zones

TOWER Strike Zones

This is the fifth disc Naxos has released devoted wholly to ‘the Power of Tower’ – though Joan Tower’s music...

Reviewed by Guy Rickards in issue: 10/2021

Review of SCHUBERT Symphonies Nos 4, 5 & 8 (Jacobs; Holliger)

SCHUBERT Symphonies Nos 4, 5 & 8 (Jacobs; Holliger)

One commodity that is never in short supply in René Jacobs and B’Rock’s Schubert symphony survey is excitement. Period strings...

Reviewed by David Threasher in issue: 10/2021

Review of M RICHTER Exiles

M RICHTER Exiles

Max Richter’s recordings are often based on a central concept or idea – Vivaldi in The Four Seasons Recomposed (2/13),...

Reviewed by Pwyll ap Siôn in issue: 10/2021

Review of PISTON Concerto for Orchestra

PISTON Concerto for Orchestra

A colleague of mine once described Walter Piston as the American Albert Roussel. The comparison befits Piston’s neoclassical orientation and...

Reviewed by Jed Distler in issue: 10/2021

Review of MOZART Violin Concertos Nos 3 & 4 (Francesca Dego)

MOZART Violin Concertos Nos 3 & 4 (Francesca Dego)

The opening tutti of K216 sets the template: lucid textures underpinned by a light, athletic bass line, springy rhythms and...

Reviewed by Richard Wigmore in issue: 10/2021


 

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