Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Most scholars agree that a link exists between the Old Roman repertoire and the so-called Gregorian. The latter became official...
Reviewed by mberry in issue: 11/1998
The Clerks’ Group is pared down here to its simplest line-up, with a single voice to a part. This makes...
Reviewed in issue 10/1999
The oath of the title is the promise made by one young lady (soprano) to another (mezzo) that out of...
Reviewed by John Steane in issue: 2/2007
The six church cantatas in this new twoCD set were once thought to be products of Bach's pen. Four of...
Reviewed by Nicholas Anderson in issue: 9/1992
These three Czech works, composed between 1949 and 1961, combine unsentimentality and rhythmic volatility with a distinctive national voice. Pavel...
Reviewed by Tim Parry in issue: 6/2000
This recital of Donizetti and Verdi has been waiting for the laser beam—and it was certainly worth the four-year wait....
Reviewed by hfinch in issue: 3/1987
With this disc of three related concertos, Daniel Barenboim fills in the remaining gap in his Teldec survey of all...
Reviewed by Edward Greenfield in issue: 10/1998
L’Orfeide is one of the strangest operas of the century, though I suspect that some listeners will have difficulty in...
Reviewed by Michael Oliver in issue: 4/1997
Wrapped in a designer grimy cardboard cover that apes the appearance of Industrial Rock albums, the London Sinfonietta’s disc is...
Reviewed by Philip_Clark in issue: 13/2006
As most readers know, Anthony Marwood and Susan Tomes are violinist and pianist of the stalwart Schumann-championing Florestan Trio. Here,...
Reviewed in issue 8/2001
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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