Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Of Marin Marais's five published books of Pieces de viole, the Fifth (1725) is the least known - with the...
Reviewed by Julie Anne Sadie in issue: 1/2000
This reissue fills an important gap in that no other recording of Rinaldo is available. Critical response to this cantata...
Reviewed in issue 9/1992
Debussy's Violin Sonata demands a special type of refinement from its interpreter, both regarding technique and a fine awareness of...
Reviewed by James Methuen-Campbell in issue: 5/1987
This is Rattle's second recording of the Seventh Symphony. We shall never hear the first. Those tapes, made in the...
Reviewed by Edward Seckerson in issue: 9/1992
Musicfest is an ensemble that grew out of the 1987 Aberystwyth Music Festival, and consists of a number of artists...
Reviewed by John Warrack in issue: 10/1991
The billed recital was the Bach-Busoni transcription, the Beethoven Sonata Op 111 and the Chopin Scherzos, and the rest –...
Reviewed in issue 5/2001
The choice here lies perhaps more in what these three recordings offer than in how it is played. In no...
Reviewed by John Duarte in issue: 6/1987
The Sixteen's involvement with Iberian music continues with a programme of works by two contemporaries, both students together at Evora,...
Reviewed by Fabrice Fitch in issue: 8/1994
Jacobs sets out his stall in a long booklet essay. His avowed aim is to create for CD a “Hörspiel...
Reviewed by Richard Wigmore in issue: 13/2010
Efforts to persuade guitar-lovers to embrace the unfamiliar are all too often box office failures or produce, at best, minimal...
Reviewed by John Duarte in issue: 3/1992
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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