Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The oboist here, French and very young (he was born in 1971), possesses an excellent technique and is a deeply...
Reviewed by Christopher Headington in issue: 2/1996
We can only speculate as to how Franz Clement might have approached Beethoven's Violin Concerto. Equally, whilst recordings of Joseph...
Reviewed by mjameson in issue: 3/1992
It is curious to think that Paul Hindemith and Ernesto Lecuona were almost exact contemporaries, born a couple of months...
Reviewed by Guy Rickards in issue: 9/2004
Stravinsky’s wicked quip that Glazunov was just “a Carl Philipp Emmanuel Rimsky-Korsakov” may be grossly unfair to a distinctive composer....
Reviewed by Edward Greenfield in issue: 7/2011
The raison d'etre for this record is the evident interest taken in church music by Wolf Dietrich von Raitenau, Prince-Archbishop...
Reviewed by Iain Fenlon in issue: 9/1991
When the 20-year-old Herbert von Karajan conducted Strauss’s Don Juan at his first professional concert in Salzburg in January 1929,...
Reviewed by Richard Osborne in issue: 4/2010
The influx of recordings of Vivaldi's wind-dominated chamber works prompted me to enumerate them in my last relevant review (Chamber...
Reviewed by John Duarte in issue: 4/1990
This Argerich/Abbado performance of Ravel's G major Concerto isn't all that new, dating as it does from February 1984. But...
Reviewed by Christopher Headington in issue: 2/1989
Vasks’s approachable, urgently communicative concerto for violin and strings Distant Light (1996-97) has already enjoyed notable advocacy on disc from...
Reviewed by Andrew Achenbach in issue: 13/2004
Listeners may be puzzled by the title of Anonymous 4’s latest recording. Don’t expect anything to do with August 1st,...
Reviewed by mberry in issue: 9/1998
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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