Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Eugene Ormandy was the first to accommodate the Fourth and Fifth Symphonies together on one LP (Philips, 7/56—nla) and they...
Reviewed by Robert Layton in issue: 7/1991
This performance causes me to wonder whether Forkel, in his much-quoted report, got hold of the wrong end of the...
Reviewed by Lionel Salter in issue: 8/1985
A new recording of the Concierto de Aranjuez needs something special if it is to stand out clearly from the...
Reviewed by John Duarte in issue: 5/2003
“Disgust at the terror and destruction of war unites the works on this CD”, writes Andreas Jaschinski in the essay...
Reviewed in issue 3/1997
The latest in Marriner's cycle of the numbered symphonies, and very unsensational performances they are too. Extremes of temperament are,...
Reviewed by John Steane in issue: 2/1994
Born almost 10 years before Brahms‚ Carl Reinecke survived that friend and colleague by 13 years‚ continuing to compose into...
Reviewed in issue 8/2002
Britten wrote well for the oboe, and for three oboists in particular. Sylvia Spencer was a contemporary from his Royal...
Reviewed by John Warrack in issue: 2/2000
With this issue Paavo Berglund completes his latest cycle of Sibelius symphonies. As regular readers will know, this series has...
Reviewed by Robert Layton in issue: 1/1989
This seventh (and last) volume in Schiff's Schubert sonata cycle spotlights the young composer, starting with the E major work...
Reviewed by Joan Chissell in issue: 11/1995
I have first to declare my colours: I can’t see any real point in making recordings of piano transcriptions of...
Reviewed by Ivan March in issue: 12/2007
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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