Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Hagai Shaham and Arnon Erez have already issued one Bloch CD including the two violin and piano sonatas (Hyperion, 4/05)...
Reviewed by DuncanDruce in issue: 4/2007
The special position accorded to music at Oxford and Cambridge led to the creation of repertories of a particularly local...
Reviewed in issue 7/2001
English music from the early 1900s to the 1930s seems to be strewn with composers whose early careers intimated great...
Reviewed by Michael Stewart in issue: 5/1993
I am a great admirer of Karel Ancerl—his 1961 New World, for example, still seems to me one of the...
Reviewed by Andrew Achenbach in issue: 7/1994
The Brno trumpets cleave the air—a robust, brassy sound, the leading group of three spitting out their high staccato Bs...
Reviewed by Edward Seckerson in issue: 8/1990
It is 15 years since Sequentia’s first production of Hildegard’s Ordo Virtutum (Harmonia Mundi, 1/84 – nla). This new and...
Reviewed by mberry in issue: 8/1998
Myaskovsky enthusiasts inured to famine face a sudden glut. While the present Alto issue continues a slow-build sequence, carrying on...
Reviewed by David Gutman in issue: 10/2008
Reubke's meagre worklist (three pieces for piano, two for organ) is out of all proportion to his significance as a...
Reviewed by Marc Rochester in issue: 2/1994
As in the first of the Kempff offerings in the Philips Great Pianists series (10/98), the items here have been...
Reviewed in issue 7/1999
Modal tunes and harmonies can all too easily coalesce into an undis-tinguished porridge. Happily, this is hardly ever the case...
Reviewed by rnichols in issue: 12/2003
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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