Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
As in the seasonal calendar a single window opens first, so in this Advent recital a solo voice sings in...
Reviewed in issue 12/1997
Time was when English vocal groups had a monopoly on this repertory. But just as the French composers of the...
Reviewed by Fabrice Fitch in issue: 11/2002
This is a potentially attractive coupling. The G major Concerto uses a key that is surprisingly rare in Mozart and...
Reviewed by Christopher Headington in issue: 10/1992
With this release the Tippett Quartet completes its survey of “official” string quartets by Stephen Dodgson, whose nine (so far)...
Reviewed by Richard_Whitehouse in issue: 9/2011
It takes skill to do simple things well, but also perhaps a certain artlessness, and in this respect the exquisitely...
Reviewed by Peter Quantrill in issue: 13/2007
This delectable programme couples both the Ravel concertos with Debussy’s early and cruelly neglected Fantaisie. Zoltan Kocsis is already celebrated...
Reviewed by Bryce Morrison in issue: 10/1996
If only Beethoven had not used an Italian title for his Third Symphony, there might be a wider understanding of...
Reviewed by John Warrack in issue: 12/1996
Here are two sacred works by Charpentier which, to the best of my knowledge, have not previously been commercially recorded....
Reviewed by Nicholas Anderson in issue: 11/1989
Helen Mirren's moving performance as Queen Elizabeth II has drawn much applause, bringing with it the first of no doubt...
Reviewed by Adrian Edwards in issue: 1/2007
Almost 60 years to the day since his first Berlioz performance, Beecham conducted the Grande messe des morts in the...
Reviewed by John Warrack in issue: 4/1999
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.