Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The glowingly rich, cathedral-like acoustic of the Concertgebouw helps to engender a sense almost of awe at the effortless, cultured...
Reviewed by Ivan March in issue: 9/1985
Koch Schwann has been commemorating the 50th anniversary of the composer’s death with an ‘Unknown Strauss’ edition. This, their fourth...
Reviewed in issue 5/1999
Margaret Price captures her audience so adroitly in the first song that she can hardly do anything amiss thereafter. In...
Reviewed in issue 10/1987
Liuwe Tamminga continues his fascinating investigation of early Italian keyboard music with this anthology of ricercars from the sixteenth and...
Reviewed by Fabrice Fitch in issue: 6/1999
Preconceptions, underratings, missed opportunities, or sheer flaming ignorance: all can be remedied here. Did we, by any chance, imagine that...
Reviewed in issue 5/1998
I praised this set highly in December—it is desert island fare for me—and commented on the many felicities of both...
Reviewed by Ivan March in issue: 12/1986
Vaughan Williams completed three Norfolk Rhapsodies, the second of which languished unperformed for nearly nine decades until this exemplary first...
Reviewed by Andrew Achenbach in issue: 1/2003
So far, Opus 111’s thoroughly enjoyable Vivaldi series exploring the contents of the giant archive in the National University Library...
Reviewed by Lindsay Kemp in issue: 11/2002
Mozart's K271 is his first great piano concerto and one of his earliest masterpieces of any kind. The two performances...
Reviewed in issue 10/1985
In the late 1970s Bernstein recorded Op. 131 with the strings of the Vienna Philharmonic for DG, inspired as he...
Reviewed by Robert Layton in issue: 9/1991
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.