Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Nearly every year seems to bring new Ferrier discoveries. Most of those on this issue are more than worth hearing....
Reviewed by Alan Blyth in issue: 2/2006
The freshness of this set is remarkable. You do not have to listen far to be swept up by its...
Reviewed by Stephen Plaistow in issue: 4/2003
The third instalment of Christopher Hogwood’s ‘modern classicism’ project puts some well-known Stravinsky in the context of two less familiar...
Reviewed by Arnold Whittall in issue: 5/2004
This is a production of the type still called conventional‚ though its kind is rapidly becoming so rare as to...
Reviewed in issue 3/2002
Anyone who has been intrigued—and perhaps also intimidated—by Bernd Alois Zimmermann's opera Die Soldaten should try this disc. While it...
Reviewed by Arnold Whittall in issue: 11/1993
Works like the Musical Sleighride, the Peasant Wedding and the Toy Symphony have given Mozart père something of a reputation...
Reviewed by Richard Wigmore in issue: 5/2009
During the 20th century the Vienna Philharmonic acquired a reputation for rather complacent conservatism which might not have been entirely...
Reviewed by Arnold Whittall in issue: 1/2004
A lot will depend on your reaction to Brian Asawa’s voice: it is high, light and sweet, and is produced...
Reviewed by Michael Oliver in issue: 2/1999
To record a cycle of Beethoven quartets is clearly a major project for any group. Apart from the sheer extent...
Reviewed by DuncanDruce in issue: 7/1997
Pure enjoyment. Recorded in the House of Artists, Prague in 1985, one wonders why this disc has taken so long...
Reviewed by John Steane in issue: 8/1990
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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