Dame Joan Sutherland & Marilyn Horne - Arias and Sacred Songs
View record and artist detailsRecord and Artist Details
Composer or Director: Charles-François Gounod, Giacomo Puccini, Richard Wagner, Carl Maria von Weber, Ludwig van Beethoven, Ruggiero Leoncavallo, Giuseppe Verdi
Label: Belart
Magazine Review Date: 5/1998
Media Format: CD or Download
Media Runtime: 75
Mastering:
ADD
Catalogue Number: 461 599-2
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Tracks:
Composition | Artist Credit |
---|---|
(Der) Freischütz, Movement: ~ |
Carl Maria von Weber, Composer
Carl Maria von Weber, Composer Dietfried Bernet, Conductor James King, Tenor Vienna Opera Orchestra |
Fidelio, Movement: ~ |
Ludwig van Beethoven, Composer
Dietfried Bernet, Conductor James King, Tenor Ludwig van Beethoven, Composer Vienna Opera Orchestra |
Rienzi, Movement: Allmächt'ger Vater (Rienzi's prayer). |
Richard Wagner, Composer
Dietfried Bernet, Conductor James King, Tenor Richard Wagner, Composer Vienna Opera Orchestra |
Tannhäuser, Movement: Inbrunst im Herzen (Rome narration) |
Richard Wagner, Composer
Dietfried Bernet, Conductor James King, Tenor Richard Wagner, Composer Vienna Opera Orchestra |
(Die) Meistersinger von Nürnberg, '(The) Masters, Movement: Morgenlich leuchtend (Prize Song) |
Richard Wagner, Composer
Dietfried Bernet, Conductor James King, Tenor Richard Wagner, Composer Vienna Opera Orchestra |
(Il) trovatore, Movement: ~ |
Giuseppe Verdi, Composer
Dietfried Bernet, Conductor Giuseppe Verdi, Composer James McCracken, Tenor Vienna Opera Orchestra |
Faust, Movement: ~ |
Charles-François Gounod, Composer
Charles-François Gounod, Composer Dietfried Bernet, Conductor James McCracken, Tenor Vienna Opera Orchestra |
(La) forza del destino, '(The) force of destiny', Movement: ~ |
Giuseppe Verdi, Composer
Dietfried Bernet, Conductor Giuseppe Verdi, Composer James McCracken, Tenor Vienna Opera Orchestra |
(La) Fanciulla del West, '(The) Girl of the Golden, Movement: ~ |
Giacomo Puccini, Composer
Dietfried Bernet, Conductor Giacomo Puccini, Composer James McCracken, Tenor Vienna Opera Orchestra |
Pagliacci, 'Players', Movement: ~ |
Ruggiero Leoncavallo, Composer
Dietfried Bernet, Conductor James McCracken, Tenor Ruggiero Leoncavallo, Composer Vienna Opera Orchestra |
Otello, Movement: Niun mi tema. |
Giuseppe Verdi, Composer
Dietfried Bernet, Conductor Giuseppe Verdi, Composer James McCracken, Tenor Vienna Opera Orchestra |
Composer or Director: Pietro Mascagni, Giacomo Puccini, Wolfgang Amadeus Mozart, Giuseppe Verdi, Gioachino Rossini
Label: Belart
Magazine Review Date: 5/1998
Media Format: CD or Download
Media Runtime: 77
Mastering:
ADD
Catalogue Number: 461 597-2
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Tracks:
Composition | Artist Credit |
---|---|
Madama Butterfly, Movement: Un bel dì vedremo |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Kurt Herbert Adler, Conductor Leona Mitchell, Soprano National Philharmonic Orchestra |
(La) Rondine, '(The) Swallow', Movement: Chi il bel sogno di Doretta |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Kurt Herbert Adler, Conductor Leona Mitchell, Soprano National Philharmonic Orchestra |
(L')amico Fritz, Movement: Son pochi fiori |
Pietro Mascagni, Composer
Kurt Herbert Adler, Conductor Leona Mitchell, Soprano National Philharmonic Orchestra Pietro Mascagni, Composer |
Gianni Schicchi, Movement: O mio babbino caro |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Kurt Herbert Adler, Conductor Leona Mitchell, Soprano National Philharmonic Orchestra |
Turandot, Movement: Tu, che di gel sei cinta |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Kurt Herbert Adler, Conductor Leona Mitchell, Soprano National Philharmonic Orchestra |
Guillaume Tell, Movement: Ils s'éloignent enfin (S'allontanano alfine!) |
Gioachino Rossini, Composer
Gioachino Rossini, Composer Kurt Herbert Adler, Conductor Leona Mitchell, Soprano National Philharmonic Orchestra |
Guillaume Tell, Movement: Sombre fôret (Selva opaca) |
Gioachino Rossini, Composer
Gioachino Rossini, Composer Kurt Herbert Adler, Conductor Leona Mitchell, Soprano National Philharmonic Orchestra |
Ernani, Movement: ~ |
Giuseppe Verdi, Composer
Giuseppe Verdi, Composer Kurt Herbert Adler, Conductor Leona Mitchell, Soprano National Philharmonic Orchestra |
Exsultate, jubilate |
Wolfgang Amadeus Mozart, Composer
Academy of St Martin in the Fields Erna Spoorenberg, Soprano Neville Marriner, Conductor Wolfgang Amadeus Mozart, Composer |
Mass No. 18, 'Great', Movement: Credo: |
Wolfgang Amadeus Mozart, Composer
Academy of St Martin in the Fields Erna Spoorenberg, Soprano Neville Marriner, Conductor Wolfgang Amadeus Mozart, Composer |
(Il) re pastore, '(The) Shepherd King', Movement: L'amerò, sarò costante |
Wolfgang Amadeus Mozart, Composer
Academy of St Martin in the Fields Erna Spoorenberg, Soprano Neville Marriner, Conductor Wolfgang Amadeus Mozart, Composer |
Idomeneo, Re di Creta, 'Idomeneo, King of Crete', Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Academy of St Martin in the Fields Erna Spoorenberg, Soprano Neville Marriner, Conductor Wolfgang Amadeus Mozart, Composer |
Idomeneo, Re di Creta, 'Idomeneo, King of Crete', Movement: Se il padre perdei |
Wolfgang Amadeus Mozart, Composer
Academy of St Martin in the Fields Erna Spoorenberg, Soprano Neville Marriner, Conductor Wolfgang Amadeus Mozart, Composer |
Composer or Director: Alexander Borodin, Franz Schubert, Richard Wagner, Umberto Giordano, Ruggiero Leoncavallo
Label: Belart
Magazine Review Date: 5/1998
Media Format: CD or Download
Media Runtime: 78
Mastering:
ADD
Catalogue Number: 461 590-2
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Tracks:
Composition | Artist Credit |
---|---|
(La) Bohème, 'Bohemian Life', Movement: Scuoti, o vento, fra i sibili |
Ruggiero Leoncavallo, Composer
Argeo Quadri, Conductor Ruggiero Leoncavallo, Composer Tom Krause, Baritone Vienna Opera Orchestra |
Andrea Chénier, Movement: ~ |
Umberto Giordano, Composer
Argeo Quadri, Conductor Tom Krause, Baritone Umberto Giordano, Composer Vienna Opera Orchestra |
Prince Igor, Movement: No sleep, no rest (Igor's Aria) |
Alexander Borodin, Composer
Alexander Borodin, Composer Argeo Quadri, Conductor Tom Krause, Baritone Vienna Opera Orchestra |
Tannhäuser, Movement: ~ |
Richard Wagner, Composer
Argeo Quadri, Conductor Richard Wagner, Composer Tom Krause, Baritone Vienna Opera Orchestra |
Schwanengesang, 'Swan Song' |
Franz Schubert, Composer
Franz Schubert, Composer Irwin Gage, Piano Tom Krause, Baritone |
Herbst |
Franz Schubert, Composer
Franz Schubert, Composer Irwin Gage, Piano Tom Krause, Baritone |
Composer or Director: Traditional, Giacomo Puccini, Giuseppe Verdi
Label: Belart
Magazine Review Date: 5/1998
Media Format: CD or Download
Media Runtime: 68
Mastering:
ADD
Catalogue Number: 461 592-2
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Tracks:
Composition | Artist Credit |
---|---|
Don Carlo, Movement: ~ |
Giuseppe Verdi, Composer
Argeo Quadri, Conductor Felicia Weathers, Soprano Giuseppe Verdi, Composer Vienna Opera Orchestra |
Don Carlo, Movement: Tu che le vanità |
Giuseppe Verdi, Composer
Argeo Quadri, Conductor Felicia Weathers, Soprano Giuseppe Verdi, Composer Vienna Opera Orchestra |
Otello, Movement: ~ |
Giuseppe Verdi, Composer
Argeo Quadri, Conductor Felicia Weathers, Soprano Giuseppe Verdi, Composer Vienna Opera Orchestra |
Otello, Movement: Ave Maria |
Giuseppe Verdi, Composer
Argeo Quadri, Conductor Felicia Weathers, Soprano Giuseppe Verdi, Composer Vienna Opera Orchestra |
Manon Lescaut, Movement: In quelle trine morbide |
Giacomo Puccini, Composer
Argeo Quadri, Conductor Felicia Weathers, Soprano Giacomo Puccini, Composer Vienna Opera Orchestra |
Manon Lescaut, Movement: Sola, perduta, abbandonata |
Giacomo Puccini, Composer
Argeo Quadri, Conductor Felicia Weathers, Soprano Giacomo Puccini, Composer Vienna Opera Orchestra |
Turandot, Movement: Tu, che di gel sei cinta |
Giacomo Puccini, Composer
Argeo Quadri, Conductor Felicia Weathers, Soprano Giacomo Puccini, Composer Vienna Opera Orchestra |
Madama Butterfly, Movement: Un bel dì vedremo |
Giacomo Puccini, Composer
Argeo Quadri, Conductor Felicia Weathers, Soprano Giacomo Puccini, Composer Vienna Opera Orchestra |
Suor Angelica, 'Sister Angelica', Movement: Senza mamma, O bimbo |
Giacomo Puccini, Composer
Argeo Quadri, Conductor Felicia Weathers, Soprano Giacomo Puccini, Composer Vienna Opera Orchestra |
Gianni Schicchi, Movement: O mio babbino caro |
Giacomo Puccini, Composer
Argeo Quadri, Conductor Felicia Weathers, Soprano Giacomo Puccini, Composer Vienna Opera Orchestra |
Mr. Banjo |
Traditional, Composer
Felicia Weathers, Soprano Georg Fischer, Piano Traditional, Composer |
Ain't got time to die |
Traditional, Composer
Felicia Weathers, Soprano Georg Fischer, Piano Traditional, Composer |
Go 'way from my window |
Traditional, Composer
Felicia Weathers, Soprano Karl Scheidt, Guitar Traditional, Composer |
City called Heaven |
Traditional, Composer
Felicia Weathers, Soprano Georg Fischer, Piano Traditional, Composer |
My good Lord done been here |
Traditional, Composer
Felicia Weathers, Soprano Georg Fischer, Piano Traditional, Composer |
Jesus lay your head in de winder |
Traditional, Composer
Felicia Weathers, Soprano Georg Fischer, Piano Traditional, Composer |
Hush l'il baby |
Traditional, Composer
Felicia Weathers, Soprano Karl Scheidt, Guitar Traditional, Composer |
Chere mo lemme toi |
Traditional, Composer
Felicia Weathers, Soprano Georg Fischer, Piano Traditional, Composer |
Composer or Director: Giuseppe Verdi, Ludwig van Beethoven, Richard Wagner, Luigi (Carlo Zanobi Salvadore Maria) Cherubini
Label: Belart
Magazine Review Date: 5/1998
Media Format: CD or Download
Media Runtime: 79
Mastering:
ADD
Catalogue Number: 461 591-2
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Tracks:
Composition | Artist Credit |
---|---|
Fidelio, Movement: ~ |
Ludwig van Beethoven, Composer
Argeo Quadri, Conductor Gwyneth Jones, Soprano Ludwig van Beethoven, Composer Vienna Opera Orchestra |
Médée, Movement: ~ |
Luigi (Carlo Zanobi Salvadore Maria) Cherubini, Composer
Argeo Quadri, Conductor Gwyneth Jones, Soprano Luigi (Carlo Zanobi Salvadore Maria) Cherubini, Composer Vienna Opera Orchestra |
(Der) Fliegende Holländer, '(The) Flying Dutchman', Movement: Joho hoe! Traft ihr das Schiff |
Richard Wagner, Composer
Argeo Quadri, Conductor Gwyneth Jones, Soprano Richard Wagner, Composer Vienna Opera Orchestra |
(Il) trovatore, Movement: ~ |
Giuseppe Verdi, Composer
Argeo Quadri, Conductor Giuseppe Verdi, Composer Gwyneth Jones, Soprano Vienna Opera Orchestra |
(La) forza del destino, '(The) force of destiny', Movement: Pace, pace, mio Dio |
Giuseppe Verdi, Composer
Argeo Quadri, Conductor Giuseppe Verdi, Composer Gwyneth Jones, Soprano Vienna Opera Orchestra |
Aida, Movement: ~ |
Giuseppe Verdi, Composer
Edward Downes, Conductor Giuseppe Verdi, Composer Gwyneth Jones, Soprano Royal Opera House Orchestra, Covent Garden |
Don Carlo, Movement: Tu che le vanità |
Giuseppe Verdi, Composer
Edward Downes, Conductor Giuseppe Verdi, Composer Gwyneth Jones, Soprano Royal Opera House Orchestra, Covent Garden |
Otello, Movement: ~ |
Giuseppe Verdi, Composer
Edward Downes, Conductor Giuseppe Verdi, Composer Gwyneth Jones, Soprano Maureen Lehane, Mezzo soprano Royal Opera House Orchestra, Covent Garden |
Otello, Movement: Ave Maria |
Giuseppe Verdi, Composer
Edward Downes, Conductor Giuseppe Verdi, Composer Gwyneth Jones, Soprano Maureen Lehane, Mezzo soprano Royal Opera House Orchestra, Covent Garden |
Composer or Director: George Frideric Handel
Label: Belart
Magazine Review Date: 5/1998
Media Format: CD or Download
Media Runtime: 77
Mastering:
ADD
Catalogue Number: 461 593-2
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Tracks:
Composition | Artist Credit |
---|---|
Ottone, Re di Germania, Movement: ~ |
George Frideric Handel, Composer
Academy of St Martin in the Fields Bernadette Greevy, Mezzo soprano George Frideric Handel, Composer Raymond Leppard, Harpsichord |
Partenope, Movement: ~ |
George Frideric Handel, Composer
Academy of St Martin in the Fields Bernadette Greevy, Mezzo soprano George Frideric Handel, Composer Raymond Leppard, Harpsichord |
Alexander Balus, Movement: ~ |
George Frideric Handel, Composer
Academy of St Martin in the Fields Bernadette Greevy, Mezzo soprano George Frideric Handel, Composer Raymond Leppard, Harpsichord |
Admeto, Re di Tessaglia, Movement: Cangio d'aspetto |
George Frideric Handel, Composer
Academy of St Martin in the Fields Bernadette Greevy, Mezzo soprano George Frideric Handel, Composer Raymond Leppard, Harpsichord |
Rodelinda, Movement: ~ |
George Frideric Handel, Composer
Academy of St Martin in the Fields Bernadette Greevy, Mezzo soprano George Frideric Handel, Composer Raymond Leppard, Harpsichord |
Rinaldo, Movement: ~ |
George Frideric Handel, Composer
Academy of St Martin in the Fields Bernadette Greevy, Mezzo soprano George Frideric Handel, Composer Raymond Leppard, Harpsichord |
Clori, Tirsi e Fileno, 'Cor fedele' |
George Frideric Handel, Composer
Academy of St Martin in the Fields Bernadette Greevy, Mezzo soprano George Frideric Handel, Composer Raymond Leppard, Harpsichord |
Alexander's Feast, Movement: Revenge, revenge, Timotheus cries |
George Frideric Handel, Composer
Academy of St Martin in the Fields Forbes Robinson, Bass George Frideric Handel, Composer Philip Ledger, Harpsichord |
Ezio |
George Frideric Handel, Composer
George Frideric Handel, Composer |
Susanna, Movement: ~ |
George Frideric Handel, Composer
Academy of St Martin in the Fields Forbes Robinson, Bass George Frideric Handel, Composer Philip Ledger, Harpsichord |
Hercules, Movement: The god of battle quits the bloody field |
George Frideric Handel, Composer
Academy of St Martin in the Fields Forbes Robinson, Bass George Frideric Handel, Composer Philip Ledger, Harpsichord |
Theodora, Movement: ~ |
George Frideric Handel, Composer
Academy of St Martin in the Fields Forbes Robinson, Bass George Frideric Handel, Composer Philip Ledger, Harpsichord |
Semele, Movement: ~ |
George Frideric Handel, Composer
Academy of St Martin in the Fields Forbes Robinson, Bass George Frideric Handel, Composer Philip Ledger, Harpsichord |
Alcina, Movement: ~ |
George Frideric Handel, Composer
Academy of St Martin in the Fields Forbes Robinson, Bass George Frideric Handel, Composer Philip Ledger, Harpsichord |
Samson, Movement: Honour and arms scorn such a foe |
George Frideric Handel, Composer
Academy of St Martin in the Fields Forbes Robinson, Bass George Frideric Handel, Composer Philip Ledger, Harpsichord |
Composer or Director: Giacomo Puccini, Wolfgang Amadeus Mozart, Vincenzo Bellini, Gioachino Rossini, Gaetano Donizetti
Label: Belart
Magazine Review Date: 5/1998
Media Format: CD or Download
Media Runtime: 73
Mastering:
ADD
Catalogue Number: 461 589-2
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Tracks:
Composition | Artist Credit |
---|---|
Gianni Schicchi, Movement: O mio babbino caro |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
Turandot, Movement: Signore, ascolta! |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
Turandot, Movement: Tu, che di gel sei cinta |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
(La) Bohème, 'Bohemian Life', Movement: Sì. Mi chiamano Mimì |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
(La) Bohème, 'Bohemian Life', Movement: ~ |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
(La) Bohème, 'Bohemian Life', Movement: Donde lieta uscì (Mimì's farewell) |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
Madama Butterfly, Movement: Un bel dì vedremo |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
Madama Butterfly, Movement: ~ |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
Suor Angelica, 'Sister Angelica', Movement: Senza mamma, O bimbo |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
Manon Lescaut, Movement: In quelle trine morbide |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
Manon Lescaut, Movement: Sola, perduta, abbandonata |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
Tosca, Movement: Vissi d'arte |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
(La) Rondine, '(The) Swallow', Movement: Chi il bel sogno di Doretta |
Giacomo Puccini, Composer
Giacomo Puccini, Composer Giuseppe Patanè, Conductor Santa Cecilia Academy Orchestra, Rome Virginia Zeani, Soprano |
(Il) Barbiere di Siviglia, '(The) Barber of Seville', Movement: ~ |
Gioachino Rossini, Composer
Argeo Quadri, Conductor Gioachino Rossini, Composer Graziella Sciutti, Soprano Vienna Philharmonic Orchestra |
Don Pasquale, Movement: ~ |
Gaetano Donizetti, Composer
Argeo Quadri, Conductor Gaetano Donizetti, Composer Graziella Sciutti, Soprano Vienna Philharmonic Orchestra |
(I) Capuleti e i Montecchi, Movement: ~ |
Vincenzo Bellini, Composer
Argeo Quadri, Conductor Graziella Sciutti, Soprano Roland Berger, Horn Vienna Philharmonic Orchestra Vincenzo Bellini, Composer |
Così fan tutte, Movement: In uomini, in soldati |
Wolfgang Amadeus Mozart, Composer
Argeo Quadri, Conductor Graziella Sciutti, Soprano Vienna Philharmonic Orchestra Wolfgang Amadeus Mozart, Composer |
Così fan tutte, Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Argeo Quadri, Conductor Graziella Sciutti, Soprano Vienna Philharmonic Orchestra Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Argeo Quadri, Conductor Graziella Sciutti, Soprano Vienna Philharmonic Orchestra Wolfgang Amadeus Mozart, Composer |
Chi sà, chi sà, Qual sia |
Wolfgang Amadeus Mozart, Composer
Argeo Quadri, Conductor Graziella Sciutti, Soprano Vienna Philharmonic Orchestra Wolfgang Amadeus Mozart, Composer |
Nehmt meinen Dank, ihr holden Gönner |
Wolfgang Amadeus Mozart, Composer
Argeo Quadri, Conductor Graziella Sciutti, Soprano Vienna Philharmonic Orchestra Wolfgang Amadeus Mozart, Composer |
Composer or Director: (Pietro) Alessandro (Gaspare) Scarlatti, George Frideric Handel
Label: Belart
Magazine Review Date: 5/1998
Media Format: CD or Download
Media Runtime: 62
Mastering:
ADD
Catalogue Number: 461 596-2
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Tracks:
Composition | Artist Credit |
---|---|
Splenda l'alba in Oriente |
George Frideric Handel, Composer
English Chamber Orchestra George Frideric Handel, Composer Helen Watts, Contralto (Female alto) Raymond Leppard, Harpsichord |
Carco sempre di Gloria |
George Frideric Handel, Composer
English Chamber Orchestra George Frideric Handel, Composer Helen Watts, Contralto (Female alto) Raymond Leppard, Harpsichord |
Tu fedel? tu costante? |
George Frideric Handel, Composer
English Chamber Orchestra George Frideric Handel, Composer Helen Watts, Contralto (Female alto) Raymond Leppard, Harpsichord |
(Il) Rosignuolo se scioglie il volo, Movement: Version No 1 in F |
(Pietro) Alessandro (Gaspare) Scarlatti, Composer
(Pietro) Alessandro (Gaspare) Scarlatti, Composer Desmond Dupré, Viola da gamba Helen Watts, Contralto (Female alto) Thurston Dart, Harpsichord |
Clori vezzosa e bella |
(Pietro) Alessandro (Gaspare) Scarlatti, Composer
(Pietro) Alessandro (Gaspare) Scarlatti, Composer Desmond Dupré, Viola da gamba Helen Watts, Contralto (Female alto) Thurston Dart, Harpsichord |
Composer or Director: José Padilla, Osman Perez Freire, Carl (Johann Adam) Zeller, Miguel Sandoval, Fermin Maria Alvarez, Oscar Straus, Johann Strauss II, Augustin Lara, Ralph Benatzky, Imre (Emmerich) Kálmán, Maria Teresa Lara, Joseph M. Lacalle, Robert Stolz, Maria Grever, Franz Lehár
Label: Belart
Magazine Review Date: 5/1998
Media Format: CD or Download
Media Runtime: 78
Mastering:
ADD
Catalogue Number: 461 594-2
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Tracks:
Composition | Artist Credit |
---|---|
Gräfin Mariza, 'Countess Maritza', Movement: ~ |
Imre (Emmerich) Kálmán, Composer
Hilde Gueden, Soprano Imre (Emmerich) Kálmán, Composer Robert Stolz, Conductor Vienna Operetta Chorus Vienna State Opera Orchestra |
Im weissen Rössl, 'White Horse Inn', Movement: Aber meine Herrschaften |
Ralph Benatzky, Composer
Hilde Gueden, Soprano Ralph Benatzky, Composer Robert Stolz, Conductor Vienna State Opera Orchestra |
(Der) Zarewitsch, '(The) Czarevich', Movement: Kosende Wellen |
Franz Lehár, Composer
Franz Lehár, Composer Hilde Gueden, Soprano Robert Stolz, Conductor Vienna State Opera Orchestra |
Casanova, Movement: Nuns' Chorus |
Johann Strauss II, Composer
Hilde Gueden, Soprano Johann Strauss II, Composer Robert Stolz, Conductor Vienna Operetta Chorus Vienna State Opera Orchestra |
Casanova, Movement: Laura's Song |
Johann Strauss II, Composer
Hilde Gueden, Soprano Johann Strauss II, Composer Robert Stolz, Conductor Vienna Operetta Chorus Vienna State Opera Orchestra |
Ziguenerliebe, 'Gipsy Love', Movement: Hör' ich Cymbalklänge |
Franz Lehár, Composer
Franz Lehár, Composer Hilde Gueden, Soprano Robert Stolz, Conductor Vienna State Opera Orchestra |
(Der) Favorit |
Robert Stolz, Composer
Hilde Gueden, Soprano Robert Stolz, Composer Robert Stolz, Conductor Vienna State Opera Orchestra |
(Der) Obersteiger, '(The) Master Miner', Movement: ~ |
Carl (Johann Adam) Zeller, Composer
Carl (Johann Adam) Zeller, Composer Hilde Gueden, Soprano Robert Stolz, Conductor Vienna Operetta Chorus Vienna State Opera Orchestra |
(Der) Tapfere Soldat, Movement: Ich was der Helder deiner Träume |
Oscar Straus, Composer
Hilde Gueden, Soprano Oscar Straus, Composer Robert Stolz, Conductor Vienna State Opera Orchestra |
Wiener Blut, 'Vienna Blood', Movement: Wiener Blut! |
Johann Strauss II, Composer
Hilde Gueden, Soprano Johann Strauss II, Composer Robert Stolz, Conductor Vienna Operetta Chorus Vienna State Opera Orchestra |
Ay, Ay, Ay |
Osman Perez Freire, Composer
Iller Pattacini, Conductor Luigi Alva, Tenor New Symphony Orchestra Osman Perez Freire, Composer |
Valencia |
Maria Teresa Lara, Composer
Iller Pattacini, Conductor Luigi Alva, Tenor Maria Teresa Lara, Composer New Symphony Orchestra |
Sin tu amor |
Miguel Sandoval, Composer
Iller Pattacini, Conductor Luigi Alva, Tenor Miguel Sandoval, Composer New Symphony Orchestra |
Toledo |
Maria Teresa Lara, Composer
Iller Pattacini, Conductor Luigi Alva, Tenor Maria Teresa Lara, Composer New Symphony Orchestra |
Princesita |
José Padilla, Composer
Iller Pattacini, Conductor José Padilla, Composer Luigi Alva, Tenor New Symphony Orchestra |
Te quiero, dijiste |
Maria Grever, Composer
Iller Pattacini, Conductor Luigi Alva, Tenor Maria Grever, Composer New Symphony Orchestra |
(La) Partida |
Fermin Maria Alvarez, Composer
Fermin Maria Alvarez, Composer Iller Pattacini, Conductor Luigi Alva, Tenor New Symphony Orchestra |
Amapola: "De amor en los hierros de tu reja" |
Joseph M. Lacalle, Composer
Iller Pattacini, Conductor Joseph M. Lacalle, Composer Luigi Alva, Tenor New Symphony Orchestra |
Sevilla |
Augustin Lara, Composer
Augustin Lara, Composer Iller Pattacini, Conductor Luigi Alva, Tenor New Symphony Orchestra |
Composer or Director: Wolfgang Amadeus Mozart, Johann Sebastian Bach, George Frideric Handel
Label: Belart
Magazine Review Date: 5/1998
Media Format: CD or Download
Media Runtime: 77
Mastering:
ADD
Catalogue Number: 461 588-2
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Tracks:
Composition | Artist Credit |
---|---|
Exsultate, jubilate, Movement: Alleluia |
Wolfgang Amadeus Mozart, Composer
Joan Sutherland, Soprano National Philharmonic Orchestra Richard Bonynge, Conductor Wolfgang Amadeus Mozart, Composer |
(Il) re pastore, '(The) Shepherd King', Movement: L'amerò, sarò costante |
Wolfgang Amadeus Mozart, Composer
Joan Sutherland, Soprano Kenneth Sillito, Violin National Philharmonic Orchestra Richard Bonynge, Conductor Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: Porgi, amor |
Wolfgang Amadeus Mozart, Composer
Joan Sutherland, Soprano National Philharmonic Orchestra Richard Bonynge, Conductor Wolfgang Amadeus Mozart, Composer |
(Le) nozze di Figaro, '(The) Marriage of Figaro', Movement: ~ |
Wolfgang Amadeus Mozart, Composer
Joan Sutherland, Soprano National Philharmonic Orchestra Richard Bonynge, Conductor Wolfgang Amadeus Mozart, Composer |
Ch'io mi scordi di te...Non temer, amato bene |
Wolfgang Amadeus Mozart, Composer
Douglas Gamley, Conductor Joan Sutherland, Soprano National Philharmonic Orchestra Richard Bonynge, Conductor Wolfgang Amadeus Mozart, Composer |
(Die) Zauberflöte, '(The) Magic Flute', Movement: Ach, ich fühl's |
Wolfgang Amadeus Mozart, Composer
Joan Sutherland, Soprano National Philharmonic Orchestra Richard Bonynge, Conductor Wolfgang Amadeus Mozart, Composer |
Magnificat, Movement: Et exultavit spiritus meus |
Johann Sebastian Bach, Composer
Henry Lewis, Conductor Johann Sebastian Bach, Composer Marilyn Horne, Mezzo soprano Vienna Cantata Orchestra |
Magnificat, Movement: Esurientes implevit bonis |
Johann Sebastian Bach, Composer
Henry Lewis, Conductor Johann Sebastian Bach, Composer Marilyn Horne, Mezzo soprano Vienna Cantata Orchestra |
St Matthew Passion, Movement: Erbarme dich |
Johann Sebastian Bach, Composer
Henry Lewis, Conductor Johann Sebastian Bach, Composer Marilyn Horne, Mezzo soprano Vienna Cantata Orchestra |
Anna Magdalena Notenbuch, Movement: Aria, BWV508: Bist du bei mir (? by Stölzel) |
Johann Sebastian Bach, Composer
Henry Lewis, Conductor Johann Sebastian Bach, Composer Marilyn Horne, Mezzo soprano Vienna Cantata Orchestra |
Rodelinda, Movement: ~ |
George Frideric Handel, Composer
George Frideric Handel, Composer Henry Lewis, Conductor Marilyn Horne, Mezzo soprano Vienna Cantata Orchestra |
Author:
The ten discs in this excellent collection of singers of the 1960s (that, at least, is the focal decade) clarify the memory, help to rectify some critical injustices, and (what no doubt matters most) provide a great deal of pleasure. They make an attractive set (would be, for instance, a good present for the right kind of recipient), though presumably they are intended for single or selective buying. If choosing, I think I would eliminate the first on the headings-list and the last. Marilyn Horne’s Handel is magnificent in velocity and velours, a sumptuous rose-red voice, its athletic feats all the more impressive for being performed in this majestic attire. But it doesn’t sound much like Handel, what with the close miking and some unstylish playing by the Vienna Cantata Orchestra under Henry Lewis. The coupling with Sutherland’s late Mozart recital (1979) is not fortunate: the voice had loosened by then, the phrases are too often a sequence of individualized notes, the “Alleluia” is formal and unsmiling (the accompaniment too), and Susanna’s aria is sleepy. Then, for the last record on the list: no, Gueden’s voice provides delicious refreshment, but how freshness is needed among the stale wedding-cake of these gipsy loves and gipsy countesses. And the programme of nastily arranged popular songs (
My own favourites are the Helen Watts recital and the Krause. Watts does all things well, but in the cantata Carco sempre di gloria she is superb. It’s also a splendid work – and this really does sound like Handel – otherwise currently available only with a male alto, Lesne or Ragin, as soloist, which may not be to everyone’s taste. Krause’s Schwanengesang, Irwin Gage accompanying, is controversial (and I think unconvincing) in its ordering of the songs; but the singing (‘real’ singing) is admirable, with particularly fine performances of “In die Ferne” and “Ihr Bild”. Then, as an unexpected sequel, we have Krause in operatic arias, starting with one from Leoncavallo’s Boheme, which he sings as to the manner born.
Brief comments now on the rest, following the order of the listing above. The Zeani/Sciutti coupling is particularly welcome, Zeani with her plentiful vitality and authentic Italian style (though Romanian-born), Sciutti with her neat little voice used with much charm and accomplishment. Jones in Wagner, Beethoven and Cherubini is rather as expected of her at that date (the big voice, the ample high notes, the unevenness of production incipient, not fully developed), but the Verdi arias are really very impressive, with a fine messa di voce for the connoisseurs at the start of “Pace, pace” and a winning account of the other Leonora’s aria, “D’amor sull’ali rosee” from Il trovatore. Felicia Weathers has some of the same Verdi arias in her programme, generally well sung though not quite with sufficient imagination to communicate very memorably. Of the spirituals and folk-songs, a cheeky little number called Chere mo lemme toi appeals and
The Greevy/Robinson disc recalls those two valued artists, both of them in an all-Handel programme, Greevy singing with rich tone (particularly fine in the little-known aria from Alexander Balus) and Forbes Robinson doing an honest job on the runs and, in “Honour and arms”, displaying his range from a high F to low D. Mitchell and Spoorenberg have in common their lyrical grace and purity of tone, and Spoorenberg’s Mozart is as delightful as anything in the whole series. The tenors, King and McCracken, also make an interesting partnership, King achieving real intensity in Tannhauser’s Rome narrative, McCracken tense and fiery in Dick Johnson’s “Or son sei mesi”.
Recorded sound is good throughout, and the booklets have useful notes by John T. Hughes. Presumably the provision of texts would prohibitively have raised production costs. But we miss them!'
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