Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is a crisp, neat performance of Schumann's Marchenerzahlungen, but though it is pleasant, accomplished and intelligent in ample measure...
Reviewed by Christopher Headington in issue: 4/1991
“Who was Justin August Just?” the booklet-note well asks of this shadowy eighteenth-century figure, whose name, incidentally, all other reference...
Reviewed by Richard Wigmore in issue: 12/1996
This handsome anthology may have arrived a few months late for the tercentenary of Buxtehude’s death in 1707 but it...
Reviewed by Malcolm Riley in issue: 6/2008
‘Ceremony’ is a collaboration between the baroque violinist Maya Homburger and the double-bassist, free jazz improviser and composer Barry Guy....
Reviewed in issue 6/1999
It cannot have been an easy evening for Sir Adrian when he conducted at the Royal Festival Hall's opening concert...
Reviewed in issue 2/1987
The most brassy of Verdi's scores, Giovanna d'Arco has a brashness which James Levine's conducting brings into a glaring light....
Reviewed in issue 11/1989
I enjoyed these performances of Bach's three viola da gamba sonatas when I first heard them two-and-a-half years ago. Of...
Reviewed by Nicholas Anderson in issue: 12/1985
Last month JAS described The English Concert's Gramophone Award-winning two-CD set of Corelli's complete Op. 6 Concerti grossi (Archiv Produktion...
Reviewed by Tess Knighton in issue: 12/1989
Morris presents the Ninth Symphony in a traditional reading, warm and eloquent and persuasively played and sung. The first movement...
Reviewed by Richard Osborne in issue: 11/1989
Lacking as they do the extensive Classical and Romantic solo repertoire enjoyed by violinists and cellists, viola players are often...
Reviewed by DuncanDruce in issue: 8/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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