Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Apart from Wishart, the composers on the British album are alive, and all, with the exception of Joubert, relatively young....
Reviewed by bwitherden in issue: 10/2006
Though now over a dozen years old, this magnificent performance has well stook the test of time. That need not...
Reviewed by John Warrack in issue: 1/1987
Both these players have produced complete recordings of Bach's organ works in the last 15 years or so: Rubsam's (for...
Reviewed by prussell in issue: 12/1994
Pretty high-voltage playing from Argerich though you can say the same about the Gilels version on CBS, also recorded live...
Reviewed by Robert Layton in issue: 1/1984
It takes a fairiy exceptional account of the Kleine Dreigroschenmusik to hold a candle to the London Sinfonietta on DG,...
Reviewed in issue 8/1989
One hopes that the Zemlinsky Quartet would offer special insights into the quartets of Zemlinsky, and so it proves: these...
Reviewed by Arnold Whittall in issue: 12/2007
Arnold's Fifth Symphony is one of his most accessible and rewarding works and the composer's own EMI recording, made in...
Reviewed by Ivan March in issue: 12/1995
The name of Konstantin Nikolaevich Shvedov (1886–1954) is not likely to be very familiar even to those who are aficionados...
Reviewed in issue 1/1995
Of the recordings of Strauss's three most popular tone-poems there seems just now to be no end. Since they are...
Reviewed in issue 9/1991
Probably the unique penalty of singing as well as Pavarotti has been doing in his late fifties is that records...
Reviewed in issue 10/1995
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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