Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This excellent record was welcomed by me in June 1984 when the original 1977 analogue recording appeared, remastered on to...
Reviewed in issue 9/1985
The second instalment of Gerhard Oppitz’s projected Beethoven cycle contains some of the best playing I’ve heard from him on...
Reviewed by Jed Distler in issue: 8/2006
There are some musical performances where the work and the performers seem made for each other. This is certainly the...
Reviewed in issue 3/1986
Britten’s compositions involving solo oboe play for about 45 minutes and‚ of five CDs issued during the last five years...
Reviewed in issue 11/2001
Clara Schumann, it may be remembered, used only to risk a selection of ten or so of the 18 Davidsbundlertanze...
Reviewed by Joan Chissell in issue: 4/1990
From the entry in the Gramophone Compact Disc Catalogue you could get the impression that Pachelbel was a one-work composer....
Reviewed by Marc Rochester in issue: 4/1990
Not even the choir of St John's College, Cambridge can conceal their Englishness to the extent that the listener to...
Reviewed in issue 4/1988
Given such a large catalogue of works created in a life that saw him relocate between countries on many occasions...
Reviewed by Guy Rickards in issue: 10/2009
William Bolcom is one of the most colourful figures in American music. Although known as a composer, with recordings of...
Reviewed by Peter Dickinson in issue: 5/1992
Jörgen van Rijen is the principal trombonist of the Royal Concertgebouw Orchestra, but has long been fascinated by early instruments....
Reviewed by David Vickers in issue: 10/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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