Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Sometimes brazen insensitivity can be instructive. Turn to track 2 of I went out this morning and listen to Mahler’s...
Reviewed in issue 11/1999
Question: in which nineteenth-century French opera does the heroine sing an aria called ''Depuis le jour''? Answer: Boieldieu's Le Calife...
Reviewed by Patrick O'Connor in issue: 9/1994
“This complex score needs tremendous transparency – transparency as the equivalent of perspective in art” – so says Barenboim in...
Reviewed by Alan Blyth in issue: 7/1996
Only rarely have recordings of Stravinsky's choral compositions used ''children's voices'' when he asked for them. It is easy enough...
Reviewed by Arnold Whittall in issue: 9/1991
Earlier this year, musicologist Michael Maul discovered the enchanting aria Alles mit Gott und nichts ohn’ ihn, written by Bach...
Reviewed by Jonathan Freeman-Attwood in issue: 1/2006
The word 'garbo' (see the Italian dictionary) means, among other things, ''elegance'', ''grace'', ''courtesy''. By association, and in matters of...
Reviewed in issue 2/1989
This, you might say, is not so much a performance of Manon Lescaut as of Puccini's less familiar opera Chevalier...
Reviewed by Michael Oliver in issue: 10/1991
I had not realized that there are already 19 versions of the three Brahms violin sonatas currently available. Many of...
Reviewed by James Methuen-Campbell in issue: 3/1993
Opera audiences in nineteenth-century Paris may never have visited India, but they loved to dream about it. After the successes...
Reviewed in issue 12/1998
In 1922 lovers of traditional French ballet had weathered a particularly protracted season of the Ballets Russes at the Opera,...
Reviewed in issue 5/2001
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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