Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
With a high profile among younger European composers, Matthias Pintscher is also one of the most recorded and this new...
Reviewed by Richard_Whitehouse in issue: 13/2011
When I was talking to Renata Tebaldi a few years ago‚ she told me that she found recording a very...
Reviewed in issue 3/2002
Among collectors, Pacetti’s name is hardly one to conjure with. Apart from her Nedda in the complete Gigli Pagliacci (HMV,...
Reviewed by Alan Blyth in issue: 9/1996
''The English Mozart'', they called him, when he was an infant prodigy; but William Crotch, born in 1775, didn't turn...
Reviewed by Stanley Sadie in issue: 1/1993
Newcastle-born and -based, Charles Avison issued his string arrangements of harpsichord sonatas by Domenico Scarlatti in 1744. Forty-two of Scarlatti's...
Reviewed by Nicholas Anderson in issue: 8/1994
Jonathan Nott leads a meticulously detailed performance of Mahler’s Fifth. Every accent, dynamic marking and hairpin crescendo/diminuendo indication in the...
Reviewed by Andrew Farach-Colton in issue: 12/2005
Both these concertos, composed in 1882 and 1885 respectively, are indebted to Grieg (listen to the first movement of MacDowell's...
Reviewed by Jeremy Nicholas in issue: 5/2008
Even before he made his first Beethoven recordings with the Philharmonia – versions of the Symphonies Nos. 3, 5 and...
Reviewed by Edward Greenfield in issue: 3/1997
There are some rewarding discoveries to be had here, not least the two sonatas for cello and piano. Both were...
Reviewed by Andrew Achenbach in issue: 2/2001
The Virtuosi di Roma, under the direction of the late Renato Fasano, was one of two celebrated chamber orchestras that...
Reviewed by Nicholas Anderson in issue: 1/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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