Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This disc traces a path through Brian Ferneyhough’s work during the years from 1985 to 1992. The ‘brief shadows’ of...
Reviewed by Arnold Whittall in issue: 6/1997
Magdalena Kozená, Czech mezzo, now French soprano; well, not quite, this is a mixture of arias for soprano and mezzo....
Reviewed by Patrick O'Connor in issue: 13/2003
My choirboy days were 'enlivened' by occasional concerts in the Choir School at which despite our ill-concealed and unseemly mirth,...
Reviewed in issue 3/1987
Simon Rattle made quite an impression with his reading of Nielsen's Fourth Symphony with the Philharmonia Orchestra some years ago...
Reviewed by Robert Layton in issue: 11/1985
Melodrama has its uses in opera, from Benda and Mozart via Beethoven and Weber to more modern experiments; but the...
Reviewed by John Warrack in issue: 2/1997
This is an interesting and unusual coupling, underpinned by the idea that Beethoven regarded his Diabelli Variations, despite their breadth...
Reviewed by Tim Parry in issue: 8/1998
The odd-man-out in this generously filled programme is the early Sheherazade Overture, which isn’t an orchestration of an established piano...
Reviewed by John Steane in issue: 5/1998
As if to demonstrate his versatility, Bobby McFerrin follows his unorthodox disc of Mozart concertos with Chick Corea (Sony Classical,...
Reviewed in issue 9/1997
Quite why anyone would want to experience Janácek’s operas in the form of orchestral suites not made by him or...
Reviewed by David Fanning in issue: 5/2009
Musica Antiqua offer here a CD potpourri of their previously recorded French chamber music, taking its name from Titon du...
Reviewed in issue 4/1986
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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