Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
These two classic ballet scores, composed eight years apart, could hardly be more different. The Pulcinella Suite (1920) comes from...
Reviewed by Peter Dickinson in issue: 1/2010
Represented by versions respectively for orchestra, chamber orchestra, saxophone quartet, two pianos, solo piano, harpsichord, two harpsichords, organ and string...
Reviewed in issue 7/1998
Ever since her début recording of the Rachmaninov Second Sonata at the age of 15 (Denon‚ 12/86 – nla)‚ interest...
Reviewed in issue 13/2001
The highly acclaimed Ockeghem series from The Clerks’ Group continues with this premiere recording of another of the composer’s four-voice...
Reviewed by Fabrice Fitch in issue: 1/1997
In so much as it is known at all, Angelo Notari's Prime musiche nuove is known as an Interesting Historical...
Reviewed by Iain Fenlon in issue: 12/1985
Bernstein is, I believe, the only conductor who has recorded Das Lied von der Erde with contralto and also with...
Reviewed in issue 5/1989
A fine inaugural record in a series that promises well. The Queen's College Choir comprises an excellent body of singers,...
Reviewed in issue 5/1993
Louis Spohr, best remembered for his chamber music and a few orchestral works, and perhaps for the finest of his...
Reviewed by Stanley Sadie in issue: 9/1987
There is a famous caricature of Rossini that appeared on the cover of the French satirical magazine Le Hanneton in...
Reviewed by Richard Osborne in issue: 1/1996
It’s been quite a trip so far, and Arturo Tamayo’s cycle of Xenakis’s orchestral music touches base finally with the...
Reviewed by Philip_Clark in issue: 12/2008
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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